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RoZ49 (2022) Textile Art by Andreea Talpeanu
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| 1500 px | ||
|
1500 px |
| Dimensions of the file (px) | 1500x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
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Art image bank-
Original Artwork (One Of A Kind)
Textile Art,
Acrylic
/
Ink
/
Marker
/
Thread
/
Tapestry
/
Fabric
on Canvas
- Dimensions Height 27.6in, Width 23.6in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Textile Arts under $1,000 Conceptual Art Nature
Andreea Talpeanu fait appel aux sens, en utilisant ici des couleurs en fort contraste afin de mettre en abîme le spectateur, tout en le séduisant. Ces couleurs, souvent pop, bien qu’agencées avec des fils organiques, noirs, de deuil, font référence à la culture de masse et veulent rappeler la frénésie absurde d’un prétendu renouveau. Cette végétation ''d'Hyper-plantes DDmix'', attirante et indécente, appelle à la sémiotique de tissus (dentelle, camouflage, paillettes, etc) et conjugue des qualités de séduction de la Mère nature, de synthèse, qui nous charme tous, comme les produits de consommation.
En dehors de la nature, le questionnement qui se pose est également sur la séduction. Dans une société gouvernée par la machine publicitaire, le kitsch est un élément de bienveillance et d'attrait. C'est de ce point de vue que les œuvres d'Andreea Talpeanu flirtent avec le kitsch. Milan Kundera annonce que '' le kitsch est le paravent qui dissimule la mort'', mais cela n'est plus du kitsch lorsqu'il dénonce la chose derrière.
Related themes
Andreea Talpeanu, born in 1982, lives and works in Paris. Growing up in Romania in the 1980s and then being confronted with wild capitalism after the revolution has led the artist to an unconventional type of expression. Her work involves sculptures, paintings, installations and drawings, and her current research focuses on the notion of connection, of syncretism between different parts of the contemporary system. The use of thread plays an important role in her creation: it is a mode of expression from ancient times, used deliberately to describe the incessant mutations and hyper-reactivity of the current world.
This weaving gesture of the artist — falsely innocuous — expression of his confrontation with the world, turns out to be a way of constituting a whole, a true political statement regarding the waste that modernity produces. The objects used in his sculptures are the organs of a body that metabolize both our natural, libidinal, impulsive and consumerist aspect, as well as the hyper surgical transformation and types of submission to suspect authoritarian structures. These obsolete objects are both the relics of a dead society and the structure of our current social mutation. The body, in the acceptance of the "whole", is only the fruit of paradoxical fusions, which takes on meaning under a slow temporality: sewing.
Although the artist was influenced by Arte Povera, Abstract Expressionism and Dada, she aims to educate hypermodernism in art and sculpts the contours of this new movement. Her works represent both a critique and a revaluation of modernism, at the same time as they decline two other particularities of hypermodernism: recycling and syncretism. Deeply rooted in the questioning of the current world, the artist, like a columnist but with a lot of poetry, uses and incorporates obsolete objects to create new bodies and materials. Recycling being one of the most important prerogatives of the new march of the world, Andreea Talpeanu adapts to this new philosophy of life to better connect disciplines, ideas, segments of the contemporary
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Nationality:
ROMANIA
- Date of birth : 1982
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Romanian Contemporary Artists
