Clay Head 1 (2021) Grafika cyfrowa / sztuka generowana cyfrowo autorstwa Andrea Botton

Papier artystyczny, 8x8 in
  • Ta praca jest „edycją otwartą” Grafika cyfrowa / sztuka generowana cyfrowo, Drukuj Giclée / Cyfrowy wydruk na Papier
  • Wymiary Dostępne w kilku rozmiarach
  • Dostępnych jest kilka rodzajów wsparcia (Papier artystyczny, Drukowanie na metalu, Druk na płótnie)
  • Oprawianie w ramy Dostępne kadrowanie (Pływająca rama + pod szkłem, Rama + Pod szkłem akrylowym)
  • Stan grafiki Grafika jest w idealnym stanie!
  • Kategorie Figuratywna Portrety mężczyzn
"Clay Head 1" is a digital sculpture created in Blender that explores the human form through a clay simulation. This work is part of a series of renderings that delve into the duality between presence and absence, between the visible and the non-existent, that which is while not existing. The sculpture, crafted with digital precision, captures every [...]
"Clay Head 1" is a digital sculpture created in Blender that explores the human form through a clay simulation. This work is part of a series of renderings that delve into the duality between presence and absence, between the visible and the non-existent, that which is while not existing. The sculpture, crafted with digital precision, captures every detail of the human face with a texture that emulates clay. Despite its virtual origin, "Clay Head" fits into a context reminiscent of a museum of ancient artifacts, offering a contemporary and reflective interpretation of traditional sculpture.

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Since I was a child, I have had a passion for art that goes beyond mere appreciation; it has become a continuous search for meaning and Archè. I have explored much of the art world, but in recent years I have [...]

Since I was a child, I have had a passion for art that goes beyond mere appreciation; it has become a continuous search for meaning and Archè.

I have explored much of the art world, but in recent years I have mainly focused on Computer-Generated Imagery (CGI), the medium I predominantly use today.

I am fascinated by the fact that images generated with CGI, while being visible, remain in the realm of nonexistence.

This duality of existence and intangibility intrigues me deeply: an image that persists in a form of permanence, while remaining ethereal and intangible.

Each of my CGI creations represents a journey through the boundary between the visible and the invisible, an exploration of the imaginary realm that challenges the conventions of reality.

My works are not simple representations, but rather windows into worlds that exist only at the intersection of perception and illusion.

With each rendering, I strive to capture and convey this tension between presence and absence, between matter and imagination.

In this space of duality, art becomes a reflection on the nature of perception and reality itself.

My work invites the viewer to immerse themselves in a visual experience that is as concrete as it is elusive, stimulating a meditation on what is truly real and what remains eternally elusive.

Through CGI, each image transforms into a kind of paradox, where imagination manifests in forms that, though perfectly visible, always remain on the boundary of nonexistence.

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