WYBÓR EKSPERTÓW
SELEKCJA DZIEŁ SZTUKI AUTORSTWA UZNANYCH EKSPERTÓW W DZIEDZINIE SZTUKI WSPÓŁCZESNEJ.
JÉRÔME PANTALACCI
WIARA PRZEZ OBRAZ
Fotograficzny spojrzenie
Fotografia od swojego powstania nosiła w sobie walidację naiwności patrzącego. Została natychmiast postrzegana jako wierne odbicie rzeczywistości. Czym nigdy nie była. Fotografowie nigdy nie ograniczali się do tej wierności, chwycili aparat, aby spojrzeć na świat w inny sposób i bawić się naszymi zmysłami percepcyjnymi.
W czasach, gdy cyfrowe technologie i sztuczna inteligencja umożliwiają wszelkie manipulacje, a obraz jest ciągle kwestionowany, gdy fotografia utraciła wszelką walidację naiwności i patrzący już nie wierzy w to, co widzi, fotografowie wciąż bawią się aparatem, kadrem, punktem widzenia mono-fokalnym, aby produkować obrazy, które zmuszają nas do patrzenia na świat w inny sposób.
Skierowanie nowej uwagi na świat, jedynie zbliżenie się do rzeczywistości lub zmiana punktu widzenia to odpoczynek dla oka w świecie zalanym nieważnymi obrazami, które sprawiają, że tracimy wiarę w rzeczywistość.
Fotograficzny spojrzenie. Fotografia od swojego powstania nosiła w sobie walidację naiwności patrzącego. Została natychmiast postrzegana jako wierne odbicie rzeczywistości. Czym nigdy nie była. Fotografowie nigdy nie ograniczali się do tej wierności, chwycili aparat, aby spojrzeć na świat w inny sposób i bawić się naszymi zmysłami percepcyjnymi. W czasach, gdy cyfrowe technologie i sztuczna inteligencja umożliwiają wszelkie manipulacje, a obraz jest ciągle kwestionowany, gdy fotografia utraciła wszelką walidację naiwności i patrzący już nie wierzy w to, co widzi, fotografowie wciąż bawią się aparatem, [...]
Fotograficzny spojrzenie
Fotografia od swojego powstania nosiła w sobie walidację naiwności patrzącego. Została natychmiast postrzegana jako wierne odbicie rzeczywistości. Czym nigdy nie była. Fotografowie nigdy nie ograniczali się do tej wierności, chwycili aparat, aby spojrzeć na świat w inny sposób i bawić się naszymi zmysłami percepcyjnymi.
W czasach, gdy cyfrowe technologie i sztuczna inteligencja umożliwiają wszelkie manipulacje, a obraz jest ciągle kwestionowany, gdy fotografia utraciła wszelką walidację naiwności i patrzący już nie wierzy w to, co widzi, fotografowie wciąż bawią się aparatem, kadrem, punktem widzenia mono-fokalnym, aby produkować obrazy, które zmuszają nas do patrzenia na świat w inny sposób.
Skierowanie nowej uwagi na świat, jedynie zbliżenie się do rzeczywistości lub zmiana punktu widzenia to odpoczynek dla oka w świecie zalanym nieważnymi obrazami, które sprawiają, że tracimy wiarę w rzeczywistość.
MARC DONNADIEU
OBRAZY RODZINY (ZŁOTA JESIEŃ)
Fotograficzna wycieczka. Ta fotograficzna wycieczka koncentruje się na okresie letnim, czasie, kiedy porzucamy codzienność, aby inaczej przeżyć czas wakacji. Pozwala to uchwycić z delikatnością nowe rodzinne opowieści, na wzór obrazów Hichama Ahyoud, Hervé Gergaud lub Anne-Marie Bertin. Czas podróży rozkłada się i rekonstruuje doskonale w wizualnych fragmentach. Dzieła Henry'ego Pouillon, Jean-Michel Ratron i Catherine Ballet stanowią doskonałą ilustrację poprzez efekty kontrastu, deformacji lub nakładania się na siebie. Dla wielu plaża jest terytorium emblematycznym wakacji. Spotykamy się tam licznie, izolując się od innych. Fotografie Cécile Ducrot, Emmanuel Passeleu i Hégémon Chaignon oddają zatem ludzką kruchość wobec ogromu morskiego horyzontu. Ale jest to także podbój wertykalności, jak świadczą Gilliard Bressan i Sharlie Evans. Mierzymy się z innymi, jak się obejmujemy w parze przez niemal powietrzne figury. Fotografia jest również sprawą kolorów i grafiki, co potwierdzają melancholijne [...]
Fotograficzna wycieczka
Ta fotograficzna wycieczka koncentruje się na okresie letnim, czasie, kiedy porzucamy codzienność, aby inaczej przeżyć czas wakacji. Pozwala to uchwycić z delikatnością nowe rodzinne opowieści, na wzór obrazów Hichama Ahyoud, Hervé Gergaud lub Anne-Marie Bertin.
Czas podróży rozkłada się i rekonstruuje doskonale w wizualnych fragmentach. Dzieła Henry'ego Pouillon, Jean-Michel Ratron i Catherine Ballet stanowią doskonałą ilustrację poprzez efekty kontrastu, deformacji lub nakładania się na siebie.
Dla wielu plaża jest terytorium emblematycznym wakacji. Spotykamy się tam licznie, izolując się od innych. Fotografie Cécile Ducrot, Emmanuel Passeleu i Hégémon Chaignon oddają zatem ludzką kruchość wobec ogromu morskiego horyzontu. Ale jest to także podbój wertykalności, jak świadczą Gilliard Bressan i Sharlie Evans. Mierzymy się z innymi, jak się obejmujemy w parze przez niemal powietrzne figury.
Fotografia jest również sprawą kolorów i grafiki, co potwierdzają melancholijne zachody słońca Ori Junior, Debbie Scott-Queenin lub Elke Matthaeus.
Luc Pallegoix zapisuje wreszcie, w sercu letnich nocy, totemiczne figury zwierząt, które są zarówno grą, jak i snem. A jeśli zagraliśmy w lato?...
Fotograficzna wycieczka. Ta fotograficzna wycieczka koncentruje się na okresie letnim, czasie, kiedy porzucamy codzienność, aby inaczej przeżyć czas wakacji. Pozwala to uchwycić z delikatnością nowe rodzinne opowieści, na wzór obrazów Hichama Ahyoud, Hervé Gergaud lub Anne-Marie Bertin. Czas podróży rozkłada się i rekonstruuje doskonale w wizualnych fragmentach. Dzieła Henry'ego Pouillon, Jean-Michel Ratron i Catherine Ballet stanowią doskonałą ilustrację poprzez efekty kontrastu, deformacji lub nakładania się na siebie. Dla wielu plaża jest terytorium emblematycznym wakacji. Spotykamy się tam [...]
Fotograficzna wycieczka
Ta fotograficzna wycieczka koncentruje się na okresie letnim, czasie, kiedy porzucamy codzienność, aby inaczej przeżyć czas wakacji. Pozwala to uchwycić z delikatnością nowe rodzinne opowieści, na wzór obrazów Hichama Ahyoud, Hervé Gergaud lub Anne-Marie Bertin.
Czas podróży rozkłada się i rekonstruuje doskonale w wizualnych fragmentach. Dzieła Henry'ego Pouillon, Jean-Michel Ratron i Catherine Ballet stanowią doskonałą ilustrację poprzez efekty kontrastu, deformacji lub nakładania się na siebie.
Dla wielu plaża jest terytorium emblematycznym wakacji. Spotykamy się tam licznie, izolując się od innych. Fotografie Cécile Ducrot, Emmanuel Passeleu i Hégémon Chaignon oddają zatem ludzką kruchość wobec ogromu morskiego horyzontu. Ale jest to także podbój wertykalności, jak świadczą Gilliard Bressan i Sharlie Evans. Mierzymy się z innymi, jak się obejmujemy w parze przez niemal powietrzne figury.
Fotografia jest również sprawą kolorów i grafiki, co potwierdzają melancholijne zachody słońca Ori Junior, Debbie Scott-Queenin lub Elke Matthaeus.
Luc Pallegoix zapisuje wreszcie, w sercu letnich nocy, totemiczne figury zwierząt, które są zarówno grą, jak i snem. A jeśli zagraliśmy w lato?...
SONIA PERRIN
THE FOREST OF DREAMS
YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world.
Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living and global organization.
This link is not lost on artists who, in their representation of the plant world, denounce the imprint of Man on his environment, and encourage us to become aware of the vital nature that we have to modify our being-in-the-world.
Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living and global organization.
This link is not lost on artists who, in their representation of the plant world, denounce the imprint of Man on his environment, and encourage us to become aware of the vital nature that we have to modify our being-in-the-world.
YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world. Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living [...]
YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world.
Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living and global organization.
This link is not lost on artists who, in their representation of the plant world, denounce the imprint of Man on his environment, and encourage us to become aware of the vital nature that we have to modify our being-in-the-world.
SONIA PERRIN
COUPS DE ❤️ ART-O-RAMA
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing. 1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video. 2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context. 3/ Galerie in situ presents the sociological work of young visual and performance [...]
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing.
1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video.
2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context.
3/ Galerie in situ presents the sociological work of young visual and performance artist Oroma Elewa. In large-format photo and text tableaux, the artist questions the image of black women and the stereotypes associated with their cultural identity.
4/ At Gilles Drouault, artist Johannes Sivertsen draws inspiration from the great masters of classical painting, such as Delacroix, to question the mechanisms of power within dominant groups, and bears witness to the dual process of otherness and hostility towards minorities.
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing. 1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video. 2/ Gaby [...]
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing.
1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video.
2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context.
3/ Galerie in situ presents the sociological work of young visual and performance artist Oroma Elewa. In large-format photo and text tableaux, the artist questions the image of black women and the stereotypes associated with their cultural identity.
4/ At Gilles Drouault, artist Johannes Sivertsen draws inspiration from the great masters of classical painting, such as Delacroix, to question the mechanisms of power within dominant groups, and bears witness to the dual process of otherness and hostility towards minorities.
THE DRAWER
RAINBOW PORTRAITS
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous. Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper. Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the [...]
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous.
Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper.
Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the visual arts and the performing arts.
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous. Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or [...]
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous.
Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper.
Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the visual arts and the performing arts.
STARTER
ARTYSANAT
If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand.
By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading to a redefinition and new incarnation of aesthetic codes.
Is it still possible to distinguish the work of man from that of the machine?
This tour questions the role of the hand in contemporary production, whether by its absence when it is replaced by an algorithm, or by its obvious presence when the work reveals a commitment to the artist's gesture and body.
By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading to a redefinition and new incarnation of aesthetic codes.
Is it still possible to distinguish the work of man from that of the machine?
This tour questions the role of the hand in contemporary production, whether by its absence when it is replaced by an algorithm, or by its obvious presence when the work reveals a commitment to the artist's gesture and body.
If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand. By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading [...]
If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand.
By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading to a redefinition and new incarnation of aesthetic codes.
Is it still possible to distinguish the work of man from that of the machine?
This tour questions the role of the hand in contemporary production, whether by its absence when it is replaced by an algorithm, or by its obvious presence when the work reveals a commitment to the artist's gesture and body.
STARTER
IMAGINING THE INVISIBLE
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space. The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage. Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world? What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat. Space images offer a window [...]
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space.
The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage.
Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world?
What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat.
Space images offer a window onto distant worlds, but also materialize the extent of our ignorance, stimulating our desire to discover, feeding the fantasy of another form of life, but also scientific research, supporting the need to explore the abysses of our galaxy.
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space. The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's [...]
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space.
The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage.
Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world?
What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat.
Space images offer a window onto distant worlds, but also materialize the extent of our ignorance, stimulating our desire to discover, feeding the fantasy of another form of life, but also scientific research, supporting the need to explore the abysses of our galaxy.
STARTER
NEW PERSPECTIVES
This selection aims to highlight, in the most respectful way possible, an artistic and activist presence that offers new perspectives, in particular a generation of LGBTQIA+ artists whose practices are seizing on societal issues.
Through their work, these artists convey values of inclusion, witness and respect for difference.
The selected works explore shifting identities in both discourse and form, illustrate dreams and inspirations, raise awareness of sexual and gender discrimination, challenge heteronormative and cisgender models, and above all reject injunctions to fit into boxes.
Through their work, these artists convey values of inclusion, witness and respect for difference.
The selected works explore shifting identities in both discourse and form, illustrate dreams and inspirations, raise awareness of sexual and gender discrimination, challenge heteronormative and cisgender models, and above all reject injunctions to fit into boxes.
This selection aims to highlight, in the most respectful way possible, an artistic and activist presence that offers new perspectives, in particular a generation of LGBTQIA+ artists whose practices are seizing on societal issues.
Through their work, these artists convey values of inclusion, witness and respect for difference.
The selected works explore shifting identities in both discourse and form, illustrate dreams and inspirations, raise awareness of sexual and gender discrimination, challenge heteronormative and cisgender models, and above all reject injunctions to fit into boxes.
Through their work, these artists convey values of inclusion, witness and respect for difference.
The selected works explore shifting identities in both discourse and form, illustrate dreams and inspirations, raise awareness of sexual and gender discrimination, challenge heteronormative and cisgender models, and above all reject injunctions to fit into boxes.
SONIA PERRIN
COUPS DE ❤️ PARIS+ BY ART BASEL
Paris+ by Art Basel opens the doors to its second Parisian edition at the Grand Palais Éphémère from Thursday October 19 to Sunday October 22, 2023, helping to anchor Paris among the world's top 4 art market capitals. This artistic dynamism is reflected in the very large number of galleries in France (over 2,000 this year) and the growing number of foreign galleries setting up in the country. The exceptional range of museums and private foundations also contributes to positioning Paris as the home of an artistic offering that is unique in the world.
Paris+ by Art Basel opens the doors to its second Parisian edition at the Grand Palais Éphémère from Thursday October 19 to Sunday October 22, 2023, helping to anchor Paris among the world's top 4 art market capitals. This artistic dynamism is reflected in the very large number of galleries in France (over 2,000 this year) and the growing number of foreign galleries setting up in the country. The exceptional range of museums and private foundations also contributes to positioning Paris as the home of an artistic offering that is unique in the world.
