Drawing titled "Crying young woman…" by Andrea Botton, Original Artwork, Pencil

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Crying young woman - Sketchbook portrait (2022) Drawing by Andrea Botton

Original

Not For Sale

Seller Andrea Botton

Original Artwork Drawing, Pencil

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Dimensions are available on request
Artwork's condition The artwork is in perfect condition
Categories Figurative Women Portraits

Disegno di una ragazza in un momento di tristezza, realizzato su sketchbook. Il volto esprime un'emozione intensa attraverso le lacrime, con dettagli essenziali che comunicano il sentimento di dolore in modo diretto e discreto. About this artwork: Classification, Techniques & Styles. Figurative. Figurative and colorful painting having taken the liberty [...]

Andrea Botton

Italy

Since I was a child, I have had a passion for art that goes beyond mere appreciation; it has become a continuous search for meaning and Archè. I have explored much of the art world, but in recent years I have [...]

Since I was a child, I have had a passion for art that goes beyond mere appreciation; it has become a continuous search for meaning and Archè.

I have explored much of the art world, but in recent years I have mainly focused on Computer-Generated Imagery (CGI), the medium I predominantly use today.

I am fascinated by the fact that images generated with CGI, while being visible, remain in the realm of nonexistence.

This duality of existence and intangibility intrigues me deeply: an image that persists in a form of permanence, while remaining ethereal and intangible.

Each of my CGI creations represents a journey through the boundary between the visible and the invisible, an exploration of the imaginary realm that challenges the conventions of reality.

My works are not simple representations, but rather windows into worlds that exist only at the intersection of perception and illusion.

With each rendering, I strive to capture and convey this tension between presence and absence, between matter and imagination.

In this space of duality, art becomes a reflection on the nature of perception and reality itself.

My work invites the viewer to immerse themselves in a visual experience that is as concrete as it is elusive, stimulating a meditation on what is truly real and what remains eternally elusive.

Through CGI, each image transforms into a kind of paradox, where imagination manifests in forms that, though perfectly visible, always remain on the boundary of nonexistence.