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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 1500 px | ||
|
1003 px |
| Dimensions of the file (px) | 1500x1003 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 31.5in, Width 47.2in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $5,000 Figurative Monument
*Shipped whith tracking
*All items are shipped in protective packaging and all duty of care is taken to ensure it gets to you intact and unmarked.
*Name : « Gigantomachy »
*Painter : Anastasia Yurzinova
*Size: 120x80 cm
*Material: Canvas, professional oil paint;
*Year of creation: 2023
*Oil paintings have a long life and can be a great investment for the art connoisseur or first time art buyer.
The Picture is suitable for any room. It can be a great gift.
*Please note the colors might differ depending on your monitor settings.
Gigantomachy. The struggle of the Olympian Gods with the Giants (a fragment of a modern reconstruction of the frieze of the Pergamon Altar (the altar of Zeus in Pergamon c. 180-159 BC), Berlin Museum, Germany, Hellenistic architecture, ancient mythology)
Before us are two goddesses and two giants (giants are easy to distinguish from the titans by the serpentine lower body), from left to right: two Moira (goddess of fate) Lachesis and Atropos deal a mortal blow to Agria and Foant with their bronze maces. Agria and Foant (aka Toon) are giants, the sons of Gaia.
The picture is associated with the struggle of the gods with the giants in ancient Greek mythology, during which the giants were destroyed by the gods.
The date of creation of the Pergamon Altar fluctuates between 180 and 159 BC. A few centuries later, frieze motifs had a strong influence on the development of Roman art.
Related themes
GigantomachyPergamon AltarMythologyBattle Of The GodsGreek Sculptures
My name is Anastasia Yurzinova, I was born in 1994, I live and work in Russia, Moscow region. I received a higher art education at the university (Faculty of Fine Arts and Folk Crafts, Department of Graphic Design). During my studies, in addition to mastering graphic programs on the computer, much attention was paid to manual work: sketches from life and academic knowledge of drawing, composition and color science, landscapes of Russian everyday life, creating sculptures, engravings.
An equally important stage in the formation of my artistic taste and style was the period of drawing illustrations in Photoshop and creating corporate styles for companies. I worked as an Art Director in a Moscow company, headed the design department, then led freelance projects.
I loved to draw on the asphalt since childhood, I painted all the album sheets and coloring books, took first places in competitions in kindergarten, school, then went to art school. Constant artistic activity in my life led me to the path of an artist. Later, I wanted to bring history into my works, and history, atmosphere into my works, and I gave preference to "living" art - painting. It can give freedom and amaze with luxury. My working method combines the approaches of an artist and a designer, almost every picture begins with a mood board and a sketch. On canvases I work with oil, a palette knife, a sponge, and I create three-dimensional panels or wall sculptures with building materials in various techniques.
In my paintings, I depict different images that are not dedicated to one idea, but are familiar to every person. Through the prism of ancient images and traceless art - I reflect on how reasoning about deep themes of personality and cultural memory are resurrected in the thoughts of ordinary people and revive traditions. In other images, with the help of creativity, I set an inspiring impulse for rethinking the relationship "man - nature", "man - man". And volumetric panels in the style of minimalism help to be closer to nature and understand what happiness is measured in, what is the healing of the world and other global issues that everyone has ever thought about.
My works find their homes not only in Russia, but also in France, the USA, Hong Kong.
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Nationality:
RUSSIA
- Date of birth : 1994
- Artistic domains:
- Groups: Russian Contemporary Artists
Interview | Inside the Textured Poetry of Anastasiia Iurzinova
