Journals (2021) Painting by Alfonse Pagano

Gouache on Other substrate, 21x15 in
$699
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"Journals," is made up of nine blue panels with handwritten text layered over textured surfaces. Using ink, watercolor, copper and gold leaf on ricepaper and resin, I explored the interaction between color and script. The slight irregularities around the edges give it an organic, tactile quality. This work invites a closer look at language and form. [...]
"Journals," is made up of nine blue panels with handwritten text layered over textured surfaces. Using ink, watercolor, copper and gold leaf on ricepaper and resin, I explored the interaction between color and script. The slight irregularities around the edges give it an organic, tactile quality. This work invites a closer look at language and form.

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I was born in 1951 in Paterson, New Jersey, into a third-generation Italian American family. Paterson was gritty, vibrant, and full of contradictions—elements that continue to shape how I see and make art. Raised [...]

I was born in 1951 in Paterson, New Jersey, into a third-generation Italian American family. Paterson was gritty, vibrant, and full of contradictions—elements that continue to shape how I see and make art. Raised by a single mother who saw my creative spark early, I was given freedom to explore. By fourteen, I knew art wasn’t a hobby—it was my path.

Though I studied briefly at the School of Visual Arts, I’m mostly self-taught. I learned by making, reading, and working with others—most memorably, Len Lye in the early ’70s. His energy and commitment left a mark.

Over the years, I’ve lived many lives: sailor, freighter crew, photographer, mixed media artist. My work blends photography, painting, and sculpture—often exploring decay, erosion, and transformation. In 1989, I received a NYFA grant. My book Dreads was published nationally, marking a major career shift.

During the Trump years, I altered American flags to reflect political and moral erosion. Later, I created more meditative works while living aboard a 40-foot trawler for four years.

Now back in New York, I’m restarting my studio practice with urgency and clarity. I still have more to say—and more I need to make.

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