Alexandra Pignon
Ich entscheide mich, meine mehrdeutige Persönlichkeit durch Mischtechniken zu erforschen und auszudrücken, die auf zwei Medien basieren, Fotografie und Malerei. Der Gesamtansatz dieser Untersuchung spiegelt meine Ambivalenz wider.
Alle Kunstwerke von Alexandra Pignon
Oils Series • 11 Kunstwerke
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Oils, Glazing, Glycerophthalic (alkyd) Lacquers, Pure Pigments, Varnish, on various supports (canvas, [...]
Oils, Glazing, Glycerophthalic (alkyd) Lacquers, Pure Pigments, Varnish, on various supports (canvas, Kraft, piece of door…).
Free_Lens Series • 3 Kunstwerke
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I think photos are sometimes incomplete despite their technical accuracy. The meaning of my photographs [...]
I think photos are sometimes incomplete despite their technical accuracy. The meaning of my photographs was often limited and only partially evident. Instead of exalting the mechanical origin of the medium or some digital properties, refusing any standardization, I came to take photos both with and without lens. To take picture without lens, I transform my basic camera by using a lens cap and covering the large hole drilled into it with plastic wrap. As objects lose their real appearance, I forget the immediate subject and can fully concentrate on light and shapes. I call these raw pictures “Free_Lens”. Photographs taken with a lens are used to place a part of my abstract imagery in a figurative context.
Naked Walls Series • 2 Kunstwerke
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My acrylics which I call “Naked Walls”, suggest the emotional and sensitive obstacles I meet when expressing [...]
My acrylics which I call “Naked Walls”, suggest the emotional and sensitive obstacles I meet when expressing my identity. They present a restrained palette of color on highly textured surfaces made by various materials. Most of them are made of two different canvases to express the duality of my gender.
I call them "deep"tychs", a reference to the Deep House music flowing sometimes in my atelier.
For this work I use house painter tools and techniques.
Various Sands, Powders of Granit or Marble, Pure Pigments, Mediums, Gels, Acrylics, Female Sex Hormone (estrogen) and other materials on Pure Linen Canvases stretched on a wooden keyable stretchers.
I call them "deep"tychs", a reference to the Deep House music flowing sometimes in my atelier.
For this work I use house painter tools and techniques.
Various Sands, Powders of Granit or Marble, Pure Pigments, Mediums, Gels, Acrylics, Female Sex Hormone (estrogen) and other materials on Pure Linen Canvases stretched on a wooden keyable stretchers.
Silver Photography • 2 Kunstwerke
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Films and darkroom era.
Distempers Series • 2 Kunstwerke
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Distempers complement my walls by representing the idea of crossing over the spaces that prevent me [...]
Distempers complement my walls by representing the idea of crossing over the spaces that prevent me from reaching my feminine side. Sensual and transparent, fluid acrylics on paper let me to execute this work more spontaneously.
Pure Pigments, Mediums, Gels, Acrylic Binder, Female Sex Hormone (estrogen) and other materials on Kraft or other Paper stretched on Pure Linen Canvas on wooden keyable stretchers.
Pure Pigments, Mediums, Gels, Acrylic Binder, Female Sex Hormone (estrogen) and other materials on Kraft or other Paper stretched on Pure Linen Canvas on wooden keyable stretchers.
Hybrids Series • 2 Kunstwerke
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Refusing any standardization, I came to take photos both with and without lens (see Free_Lens Project [...]
Refusing any standardization, I came to take photos both with and without lens (see Free_Lens Project Collection).
Photographs taken with a lens are used to place a part of my abstract imagery in a figurative context.
I create an original digital work by layering photos of my paintings over these straight photographic shots, using image editing software.
This digital mix, which I call “Hybrid”, explores themes such as the appearance and perception of identity in a social environment.
It became my way of challenging the viewer, addressing worries I may have and expressing myself freely.
Photographs taken with a lens are used to place a part of my abstract imagery in a figurative context.
I create an original digital work by layering photos of my paintings over these straight photographic shots, using image editing software.
This digital mix, which I call “Hybrid”, explores themes such as the appearance and perception of identity in a social environment.
It became my way of challenging the viewer, addressing worries I may have and expressing myself freely.
Misc. Acrylics Series • 1 kunstwerk
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Pure Pigments, Mediums, Gels, Acrylics, Female Sex Hormone (estrogen) and other materials on various [...]
Pure Pigments, Mediums, Gels, Acrylics, Female Sex Hormone (estrogen) and other materials on various papers stretched on wood or Pure Linen Canvases on wooden keyable stretchers.
Watercolors Series • 1 kunstwerk
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Watercolors (like distempers ) complement my naked-walls by representing the idea of crossing over the [...]
Watercolors (like distempers ) complement my naked-walls by representing the idea of crossing over the spaces that prevent me from reaching my feminine side. Transparency and fluidity of watercolors let me to execute spontaneous work.
Handmade watercolors, Blockx and Winsor & Newton Extra-Fine watercolors, Female Sex Hormone (estrogen) on various watercolor papers.
Handmade watercolors, Blockx and Winsor & Newton Extra-Fine watercolors, Female Sex Hormone (estrogen) on various watercolor papers.
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