Design titled "RIBBON II candle ho…" by Aleksandra Krasnopolska, Original Artwork, Table art

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RIBBON II candle holder (2025) Design by Aleksandra Krasnopolska

Name: ARTMAJEUR
Brand: ARTMAJEUR
Rating: 4.9 (12745 reviews)

Original

Design, 3.4x7.4 in

$563.59

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Seller Aleksandra Krasnopolska

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This artwork appears in 1 collections

Original Artwork Design, Table art / Accessories / Luminaire

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 3.4in, Width 7.4in
Artwork's condition The artwork is in perfect condition
Categories Designs under $1,000 Abstract Abstract

“RIBBON II” is a one-of-a-kind ceramic candle holder made of white stoneware clay using traditional hand-building techniques. This candle holder belongs to the “Ribbon” series. The series is about lightness and surrender. Like a ribbon moving freely with the wind, each form follows the flow without resistance. It quietly reminds us: when we stop struggling [...]

Aleksandra Krasnopolska

Spain

Aleksandra Krasnopolska is a contemporary artist from Odesa, Ukraine. Before turning to sculpture, she worked as an architect and interior designer. Her journey into sculpture was neither planned nor driven by [...]

When she first took clay into her hands, Aleksandra didn’t intend to become a sculptor. Working with the material was, above all, a form of art therapy—a way to navigate a profound internal crisis. Sculpting became a meditative practice, a moment of release, where her hands moved intuitively, unbound by any attachment to the final result. The soft, flowing, biomorphic lines in her work were never pre-designed or sketched; they emerged spontaneously, in a state of flow.

As she sculpted, her mind would quiet, thoughts would dissolve, and she became fully immersed in the act of shaping form. For Aleksandra, the creative process was never about the outcome—it was about presence, feeling, and the synchrony between body and mind.

Over time, her relationship with sculpture evolved. What began as a deeply personal and intimate practice gradually developed into an independent artistic language. Yet the essence of her process remains unchanged: it is intuitive, organic, and grounded in sensory perception. Each of her works carries a trace of that original impulse—the need to feel, to connect, and to translate inner experience into form.