Le lièvre (1502) Painting by Albrecht Dürer

Fine art paper, 9x8 in
  • Original Artwork Painting, Watercolor
  • Dimensions Height 9.8in, Width 8.9in
  • Framing This artwork is not framed
  • Categories Classicism Animal
Le Lièvre, réalisé par Albrecht Dürer en 1502, est une aquarelle et gouache sur papier, célèbre pour son réalisme et ses détails minutieux. L'œuvre représente un lièvre assis, capturé avec une grande précision dans les textures de sa fourrure et l'expression de ses yeux. Chaque poil est délicatement rendu, montrant l'habileté exceptionnelle de Dürer [...]
Le Lièvre, réalisé par Albrecht Dürer en 1502, est une aquarelle et gouache sur papier, célèbre pour son réalisme et ses détails minutieux. L'œuvre représente un lièvre assis, capturé avec une grande précision dans les textures de sa fourrure et l'expression de ses yeux. Chaque poil est délicatement rendu, montrant l'habileté exceptionnelle de Dürer en observation de la nature et en technique artistique. Le lièvre est montré en position de repos, avec ses longues oreilles dressées et ses yeux attentifs, créant une image à la fois vivante et sereine.

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Albrecht Dürer (1471-1528) was a German painter, printmaker, and theorist of the Renaissance, widely regarded as one of the most significant artists of his time. Born in Nuremberg, he was the son of a goldsmith, [...]

Albrecht Dürer (1471-1528) was a German painter, printmaker, and theorist of the Renaissance, widely regarded as one of the most significant artists of his time. Born in Nuremberg, he was the son of a goldsmith, which likely influenced his early interest in craftsmanship and detail. Dürer began his artistic training at a young age, apprenticed to the painter Michael Wolgemut, where he learned the techniques of woodcut and engraving.

Dürer’s early works demonstrate a keen interest in nature and the human form, showcasing his exceptional skills in drawing and perspective. His trip to Italy in 1494 introduced him to the innovations of the Italian Renaissance, which profoundly influenced his work. Dürer blended the meticulous detail of Northern European art with the classical ideals of the Italian Renaissance, creating a unique style that set him apart.

He is perhaps best known for his masterful engravings, such as "Melencolia I," "Knight, Death and the Devil," and "St. Jerome in His Study," which highlight his technical skill and deep understanding of human psychology. Dürer also produced a series of remarkable paintings, including "Adoration of the Magi" and "The Four Apostles," which reflect his interest in religious themes and human emotion.

In addition to his artistic output, Dürer was a prolific writer and theorist. He authored several treatises on perspective, fortifications, and proportion, including the influential "Four Books on Measurement" and "A Treatise on the Art of Painting." His writings contributed to the development of art theory and practice in Northern Europe.

Dürer’s influence extended beyond his lifetime; he played a crucial role in establishing printmaking as a respected art form and helped to elevate the status of artists in society. His work had a lasting impact on subsequent generations of artists, and he is often regarded as the father of German painting. Albrecht Dürer died in 1528 in Nuremberg, leaving behind a legacy of innovation, mastery, and intellectual exploration that continues to inspire artists and scholars to this day.

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