Un jour à Venise (2016) Painting by Alain Grisel

Not For Sale

Seller Alain Grisel

  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions Height 24in, Width 32.3in
  • Framing This artwork is framed (Floating Frame)
  • Categories Paintings under $5,000 Figurative
Venise : en italien Venezia. C'est une ville très connue des touristes du monde entier, s'étendant au milieu d'une lagune de l'Adriatique à 4 km de la terre ferme. Elle est bâtie sur trois îles : les deux au nord sont séparées par le grand canal ; toutes trois sont divisées en îlots par plus de 150 canaux que franchissent 400 ponts et c'est vraiment [...]
Venise : en italien Venezia . C'est une ville très connue des touristes du monde entier , s'étendant au milieu d'une lagune de l'Adriatique à 4 km de la terre ferme . Elle est bâtie sur trois îles : les deux au nord sont séparées par le grand canal ; toutes trois sont divisées en îlots par plus de 150 canaux que franchissent 400 ponts et c'est vraiment magnifique et si l'on veut tous voir il faut disposer de beaucoup de temps .
Peinture à l'huile sur toile de lin extra fine et montée sur châssis à clé .

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PeintureHuileExtraFineVenise

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Portrait of the artist. Fred Josett, painter, says of Alain Grisel:. Alain knew early on that he would be a painter and that he would put all his strength into becoming one. ''You're not serious when you're seventeen [...]

Portrait of the artist.


Fred Josett, painter, says of Alain Grisel:


Alain knew early on that he would be a painter and that he would put all his strength into becoming one.

''You're not serious when you're seventeen years old'' said the poet and yet it was at this age of happy unreason that he resolutely set foot on the ad hoc Island: a painter had dropped anchor.

He engaged in a dialogue with the world in a voice that he had missed until then and that he still continues to practice some fifty-six years later.

His figurative painting moves from landscapes to characters. Others are often witnesses to our little stories, more or less voluntary guardians who magnify them. Alain is one of those witnesses who tucks these strangers into bed with his web, these welcome guests who gradually become more familiar to us.

A painting with accents of benevolence like a bulwark against ambient cynicism. A solitary act, an apnea where he will draw his color and come back to us in the light always well accompanied. One could believe that he learned his job as a painter to satisfy the child he remained.

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