Procust's Bed (2007) Painting by Adriana Ilin Tomici

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Rating: 4.9 (12745 reviews)

Original Reproductions

Oil, 11.8x11.8 in

$516.03

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Seller Adriana Ilin Tomici

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Certificate of Authenticity included

Original Artwork Painting, Oil

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 11.8in, Width 11.8in
Categories Paintings under $1,000

Acrylic on Canvas About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger. Technic Painting. Painting is an art form of painting on a surface by aesthetically [...]

Adriana Ilin Tomici

Romania

Adriana Ilin Tomici, a contemporary Romanian artist, delves into the intriguing and often disconcerting realm of dystopia in her creative explorations. Central to her work is the examination of a hypothetical scenario where humanity is transformed into objects or inanimate entities come to life. This frequently analyzed dystopian concept surfaces in various discourses, from critical studies scrutinizing the potential perils of technological advancements like cloning, robotics, and artificial intelligence, to fictional narratives in literature and film where humans become pawns in a digital-controlled system.

In the absence of an "ethical casing," the prospect of enhancing life through the intrusion of robot hybrids or animate objects becomes a precarious journey, synonymous with instantaneous alteration. Tomici's artistic expression navigates this conceptual landscape with a distinctive approach. Each of her characters, presented with humor and irony, serves as a constructed representation of human typologies. Through intentional exaggeration of certain physical features, her figures become a satirical reflection of social categories or personality types.

Far from being presented as menacing or repulsive, the people-objects in Tomici's work are subjects of analysis, grouped based on observations of a society viewed as a perpetual "deformer" of the human. Artificiality, falsehood, immorality, and aggressiveness emerge as recurring themes, representing obstacles to genuine social interaction. Tomici's artistic lens focuses on unraveling the complexities of human behavior within a society that, at times, seems to distort rather than nurture its inherent qualities.

Adriana Ilin Tomici's creations offer a thought-provoking commentary on the challenges posed by artificiality and societal dynamics. Through her artistic lens, she invites viewers to engage with her satirical representations, encouraging reflection on the subtle nuances that shape human interaction and the potential pitfalls that arise when confronted with a world where the line between humanity and the inanimate becomes blurred.