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Gato mirando (2024) 绘画 由 Zeta Yeyati
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原创艺术品 (One Of A Kind)
绘画,
丙烯
/
气雾剂
/
墨
/
模版
在纸板上
- 外形尺寸 高度 27.6in, 宽度 19.7in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$500 超现实主义 猫
Gato mirando obra de Zeta Yeyati stands as a piece that invites the viewer to pause before the sharpness of a gaze that seems to see everything. Created on paper using mixed media including acrylic, stencil and collage, this work features a cat not as a mere domestic creature but as a symbol of contemplation, autonomy and mystery. Measuring 50x70cm, the feline figure commands the center of the composition, built with minimal outlines and expressive eyes that both reveal and conceal. Gato mirando is more than a portrait, it is an open question to the viewer. The work captures that suspended instant where something is about to happen and the cat, in its stillness, becomes both witness and accomplice. Through loose brushstrokes, translucent textures and wide chromatic planes of orange, blue, white and black, Zeta Yeyati composes a piece rich in visual tension and poetic depth. As with much of his work, this painting conveys his core philosophy: to recover what has been discarded and transform it into art. Gato mirando obra de Zeta Yeyati does not just portray a cat, it reflects a way of seeing the world with both sensitivity and defiance.
Visual roots and a transformative sensitivity
Since childhood in Burzaco, Zeta Yeyati has nurtured a profound connection with the act of creation. An Argentine visual artist, he first found expression in drawing and woodworking, long before his musical path took shape. His visual art stands out for its singular sensitivity and its poetic use of recycled materials. Through his works, he proposes a poetics of rescue, where the discarded takes center stage. This gesture is not merely aesthetic, it is a statement about the world.
Gato mirando obra de Zeta Yeyati the poetics of recovery in feline form
Gato mirando obra de Zeta Yeyati clearly embodies the artist’s identity. Self-taught and a genuine explorer, he crafts unique universes that blend formal freedom with material consciousness. While he honed his craft alongside figures like Pujía, Ferrari and Aisemberg, his voice remains unmistakably his own. In this piece, he uses fragments of wood, paper, metal and urban remains to assemble an image that resonates with nostalgia and playfulness. The cat, a constant figure in many mythologies, here becomes both universal and deeply personal. Its gaze is not innocent: it watches, guards, challenges. With ornamental elements, painterly stains and an unconventional composition, Yeyati tells a wordless story. Like much of his work, this piece fuses fantasy and reality, and finds narrative power in their intersection. Gato mirando obra de Zeta Yeyati leaves a visual imprint that lingers even after the viewer turns away.
An art that observes and transforms from the margins
Gato mirando obra de Zeta Yeyati reminds us that art can emerge from the overlooked, the broken, the discarded. This piece is a quiet manifesto that questions without speaking. The cat’s presence becomes a metaphor for mindfulness, for the quiet mystery of daily life and the potential of small things. Through a visual language made of stains, transparencies and poetically reclaimed materials, Zeta Yeyati creates works that move the viewer without needing grandeur. This painting invites us to look differently and to imagine that what has been discarded might still surprise us. In every line and texture lies the conviction that to see the world with new eyes is to begin to transform it.
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Zeta Yeyati
Poetry in fragments, the impulse of color, the memory of objects
Zeta Yeyati’s art cannot be understood in parts—even though it’s built from them. It might begin with a weathered street poster, continue with a salvaged bed leg or a shard of ceramic in his palm, and culminate in a vibrant painting that seems to float atop his assemblages. His work is an expanded terrain, where painting lives alongside collage, sculpture, reuse, and play.
Born in Burzaco in 1965, Zeta was a visual artist before becoming a musician—despite being known for his roles in bands like La Mississippi, Los Intocables, and Babel Orkesta. The visual arts were his first language. Even before the saxophone, there were pencils and wooden forms. Today, his studio is a space of constant discovery, where pigments, old tools, wood scraps, and soul-filled objects coexist.
Painting is not an isolated gesture in Yeyati’s practice. It’s part of a broader experience—an act of seeing, collecting, and re-signifying. His palette is bold, emotional, and direct. He embraces flat color, strong lines, and symbolic repetition: horses, queens, musicians, birds, and dogs often recur—not as decorative themes, but as archetypes from his emotional landscape.
Though self-taught, Yeyati spent time in workshops with renowned artists like Antonio Pujía, León Ferrari, and Diana Aisemberg. He draws tools from their teachings, but follows no school. His artistic voice is distinctly his own: he mixes ceramics, stencils, acrylics, ink, iron, wood, and bronze. Each piece is unique, blending urban culture, folk art, and a deep desire to breathe new life into discarded things.
His work follows a creative ethic where recycling becomes a worldview. As critic Rodrigo Alonso noted, Zeta’s art challenges the speed of consumerism and encourages us to look closer at what’s been thrown away. To recover an object is to give it a second chance—to restore it without erasing its past. That’s where Yeyati builds his visual poetics: as an act of resistance and repair.
In an age of mass production and constant disposal, Zeta Yeyati invites us back to the source—to touch the imperfect, the handmade, the alive. And in every work, to discover the quiet possibility of unexpected beauty.