Rey (2023) 绘画 由 Zeta Yeyati

丙烯在纸板上, 39.4x24.8 in
US$797.05
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卖家 Ilusorio
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Rey obra de Zeta Yeyati a coronation of the unseen made visible. Rey obra de Zeta Yeyati brings together majesty and vulnerability in a male portrait filled with symbolism. Created using mixed media on paper, measuring 63x100 cm, this piece combines acrylic, stencil, collage and assemblage to shape a figure that evokes an imaginary contemporary king. [...]
Rey obra de Zeta Yeyati a coronation of the unseen made visible

Rey obra de Zeta Yeyati brings together majesty and vulnerability in a male portrait filled with symbolism. Created using mixed media on paper, measuring 63x100 cm, this piece combines acrylic, stencil, collage and assemblage to shape a figure that evokes an imaginary contemporary king. Not a ruler in the traditional sense, but a man who wears the crown of memory, introspection and forgotten urban traces. His face, outlined with basic lines, holds an intense gaze that serves as a hallmark of Yeyati’s visual world. Gesture and balance coexist within the composition. The character is formed through bold brushstrokes, layered textures and color stains that deepen the visual space. The color palette—blue, brown, red and white—builds a quiet power that surrounds the figure. As always in his work, Yeyati relies on recycling as an ethical and aesthetic decision. Rey is not just a man, but a material transformation, turning waste into meaning and residue into emotion. It is a visual tale of a kingdom made from fragments.

The visual poetry of reclaimed materials
Zeta Yeyati, born in Burzaco in 1965, is an Argentine visual artist who turns the discarded into poetic forms. Known also as a musician, his creative roots began with drawing and working with wood during childhood. His artistic drive is grounded in observing and rescuing what others abandon. This act becomes a visual language shaped by sensitivity and intention, standing firmly against a culture of disposability.

Rey obra de Zeta Yeyati as a symbol of unclaimed nobility
Rey obra de Zeta Yeyati captures the essence of the artist’s free, intuitive process. Trained outside formal institutions, Yeyati’s style emerges from exploration and repurposing. He assembles collage, stencil and found objects into works that breathe memory and meaning. In this painting, the male figure asserts presence not through grandeur, but through depth and emotion. The surface effects, textural layers and subtle assemblages give the piece a poetic resonance. The character is not a ruler, but a human crowned by experience. Rey obra de Zeta Yeyati speaks quietly, yet powerfully.

Nobility reclaimed through texture and silence
In Rey, Yeyati invites us to see royalty in the overlooked. His art celebrates simplicity, balance and the beauty of recovery. This king is not an icon of control, but of presence. Through refined layering, vintage charm and poetic gesture, Yeyati redefines the idea of nobility. Rey obra de Zeta Yeyati becomes a visual ode to dignity, resilience and creative transformation.

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Zeta Yeyati. Poetry in fragments, the impulse of color, the memory of objects. Zeta Yeyati’s art cannot be understood in parts—even though it’s built from them. It might begin with a weathered street poster, continue [...]

Zeta Yeyati

Poetry in fragments, the impulse of color, the memory of objects

Zeta Yeyati’s art cannot be understood in parts—even though it’s built from them. It might begin with a weathered street poster, continue with a salvaged bed leg or a shard of ceramic in his palm, and culminate in a vibrant painting that seems to float atop his assemblages. His work is an expanded terrain, where painting lives alongside collage, sculpture, reuse, and play.

Born in Burzaco in 1965, Zeta was a visual artist before becoming a musician—despite being known for his roles in bands like La Mississippi, Los Intocables, and Babel Orkesta. The visual arts were his first language. Even before the saxophone, there were pencils and wooden forms. Today, his studio is a space of constant discovery, where pigments, old tools, wood scraps, and soul-filled objects coexist.

Painting is not an isolated gesture in Yeyati’s practice. It’s part of a broader experience—an act of seeing, collecting, and re-signifying. His palette is bold, emotional, and direct. He embraces flat color, strong lines, and symbolic repetition: horses, queens, musicians, birds, and dogs often recur—not as decorative themes, but as archetypes from his emotional landscape.

Though self-taught, Yeyati spent time in workshops with renowned artists like Antonio Pujía, León Ferrari, and Diana Aisemberg. He draws tools from their teachings, but follows no school. His artistic voice is distinctly his own: he mixes ceramics, stencils, acrylics, ink, iron, wood, and bronze. Each piece is unique, blending urban culture, folk art, and a deep desire to breathe new life into discarded things.

His work follows a creative ethic where recycling becomes a worldview. As critic Rodrigo Alonso noted, Zeta’s art challenges the speed of consumerism and encourages us to look closer at what’s been thrown away. To recover an object is to give it a second chance—to restore it without erasing its past. That’s where Yeyati builds his visual poetics: as an act of resistance and repair.

In an age of mass production and constant disposal, Zeta Yeyati invites us back to the source—to touch the imperfect, the handmade, the alive. And in every work, to discover the quiet possibility of unexpected beauty.

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