Wen Zhu (frail banboo)文竹 (2006) 印花与版画 由 Mingyue Wang 王明月
由 998Arts 出售
-
限量版 (#99/99)
印花与版画,
漆
/
油
在亚麻帆布上
- 外形尺寸 高度 29.5in, 宽度 27.2in
- 是否含画框 此作品未装裱
- 分类 版画 低于US$5,000 东方艺术 亚洲
王明月 新古典主义古装仕女油画 文竹
Mingyue Wang , born in Beijing in 1962, is a neoclassical oil painter of old-fashioned ladies. He is the original creator of the large oil painting "The Jurist under the Bodhi Tree", the founder of Surrealism, the chief painter of the former British Prime Minister Heath, the member of the American Portrait Artists Association, the vice-chairman of the International Painting and Calligraphy Alliance, and the vice-chairman of the Thailand-China Culture and Art Exchange Association.
Mingyue Wang graduated from the Central Academy of Fine Arts with a research class in oil painting.Representative works: oil painting of ancient costume ladies "Dream Flower Soul" series.
Artistic assessment:
This is the most satisfying one I've had since my portrait. I have never known myself so truly, and Mr. Wang made me feel that every pore of my sweat is real!
--Edward Heath, former British Prime Minister
You're a Chinese soul artist and I've never observed myself so closely!--Prince Chulakon Chithya, Crown Prince of Thailand
I have an overwhelming excitement in front of your work, excitement even in every sweat pore.
--Tim Newton, Chairman of the Board of Directors of the Salmagundi Club and Curator of American Masters.
The meaning of Wang Mingyue's work transcends not only the narrow space of the individual, but also the realm of the artistic field and enters a wider world. Wang Mingyue is a figurative portrait painter, however, his works have gone beyond the simple definition of portraiture, the artist uses the portrait as a creative tool, in other words, what he creates is no longer a personal portrait, but the form of personal portrait to find and express the pure essence of mankind and the world. Wang Mingyue's works use metaphorical and symbolic techniques to express his thoughts on life, so the picture is not the same as its implied direction, the artist is describing an apparent person in his works, however, this person, no matter how close to a real, complete person, in fact, is no longer the specific person.
--Wayne Swanson, director of the Vail Museum in Utah and internationally renowned art critic