Searching A Dream 寻梦 (2013) Prenten & gravures door Mingyue Wang Wang Ming Yue
Verkocht door 998Arts
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Beperkte editie (#99/99)
Prenten & gravures,
pigmenten
op Linnen canvas
- Dimensies Hoogte 29,5in, Breedte 20,1in
- Framing Dit kunstwerk is niet ingelijst
- Categorieën Gravures & prints onder US$ 5.000 Oosterse kunst Azië
Representative works: oil painting of ancient costume ladies "Dream Flower Soul" series：
Mingyue Wang New Classical Paintings of Ladies: In Search of a Dream
In the painting "Chasing Dreams", a woman dressed in classical attire sits on a round stool in front of a table, holding a fan in one hand and her leg in the other, with her head tilted down, leaning against the edge of the fan, her tone is elegant, yet magnificent, especially the woman's clothes and headdress, which are depicted with the most precise technique and many details of traditional figures, all with traditional Chinese aesthetic symbols. The beauty of a woman's procedure that has gone through the years, and has a charm that can stand the scrutiny of time. The painting is not ostentatious, no splendid color piling up, and dreamy strokes, but it has a kind of philosophical restraint from inside to outside, and has more cultural gold content of humanistic philosophy. The highlight of the painting is the pair of eyes full of deep affection and slightly lost, which reminds us of the picture of Peony Pavilion: "Love is unknown and deep, the living can die and the dead can live, love in a dream is not necessarily real.
王明月，1962年出生于北京，画家。《菩提树下的觉者》巨幅油画原创作者、超现实化境主义创始人、英国前首相希斯首席画师、美国肖像画家协会会员、国际书画艺术联盟副主席、泰中文化艺术交流协会副主席。
代表作品：油画古装仕女，梦花魂系列《潇湘莲影》、《蓝蝴蝶》、《寻香》、《寻梦》、《彩蝶迷镜》、《萧香唤影》、《鸳鸯梦》等。
王明月将超现实主义西方油画与东方思想神韵相融合，进行人物画及肖像画创作。自1996年起，《美术》、《艺术市场》等国内权威艺术杂志多次对王明月进行专访报道，并由国内出版专著；《亚洲日报》、《世界日报》等全球媒体相继收录其作品并进行相关专题报道。王明月将东方美、中国美带向国际艺术界的过程中，多次受邀于英国、美国、日本等多个国家举办国际个人艺术展览，同时受邀为世界各国名人政要绘制个人肖像。英国前首相爱德华·希斯曾表示王明月先生为其所画肖像是其最为满意的一张，泰国家亲王纪拉崆·吉提亚赞叹其为“中国的灵魂艺术家”。
王明月 新古典仕女油画：寻梦
《追梦》画作中，桌案前，一身着古典装束的女子，坐于圆凳上，一手持团扇，一手握腿，头部下倾，靠于团扇边缘，色调典雅，又不失瑰丽，尤其是女子的衣饰和头饰，用笔从容果断，细微，用最精密的手法，刻画传统人物众多的细节，均带有中国传统审美符号，画作里，活生生地再现了中国女子那经历年久的程序之美，并有着经得起时间推敲的魅力。画作并不张扬，没有绚丽的色彩堆砌，和梦幻般的笔触，却有着从里向外散发的一种哲理的内敛，有着更多的人文哲学的文化含金量。最大的亮点就是这双饱含深情，略带迷离的眼睛，让人不禁想起牡丹亭“情不知所起，一往而深，生者可以死，死可以生，梦中之情，何必非真”的那个画面。
Mingyue Wang , born in Beijing in 1962, is a neoclassical oil painter of old-fashioned ladies. He is the original creator of the large oil painting "The Jurist under the Bodhi Tree", the founder of Surrealism, the chief painter of the former British Prime Minister Heath, the member of the American Portrait Artists Association, the vice-chairman of the International Painting and Calligraphy Alliance, and the vice-chairman of the Thailand-China Culture and Art Exchange Association.
Mingyue Wang graduated from the Central Academy of Fine Arts with a research class in oil painting.Representative works: oil painting of ancient costume ladies "Dream Flower Soul" series.
Artistic assessment：
This is the most satisfying one I've had since my portrait. I have never known myself so truly, and Mr. Wang made me feel that every pore of my sweat is real!
--Edward Heath, former British Prime Minister
You're a Chinese soul artist and I've never observed myself so closely!--Prince Chulakon Chithya, Crown Prince of Thailand
I have an overwhelming excitement in front of your work, excitement even in every sweat pore.
--Tim Newton, Chairman of the Board of Directors of the Salmagundi Club and Curator of American Masters.
The meaning of Wang Mingyue's work transcends not only the narrow space of the individual, but also the realm of the artistic field and enters a wider world. Wang Mingyue is a figurative portrait painter, however, his works have gone beyond the simple definition of portraiture, the artist uses the portrait as a creative tool, in other words, what he creates is no longer a personal portrait, but the form of personal portrait to find and express the pure essence of mankind and the world. Wang Mingyue's works use metaphorical and symbolic techniques to express his thoughts on life, so the picture is not the same as its implied direction, the artist is describing an apparent person in his works, however, this person, no matter how close to a real, complete person, in fact, is no longer the specific person.
--Wayne Swanson, director of the Vail Museum in Utah and internationally renowned art critic
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Nationaliteit:
CHINA
- Geboortedatum : onbekende datum
- Artistieke domeinen: Vertegenwoordigd door een galerij,
- Groepen: Chinese Hedendaagse Kunstenaars Kunstenaars gepresenteerd door een galerij
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