© 2021 Vethan Sautour
© 2021 Vethan Sautour
© 2021 Vethan Sautour
© 2021 Vethan Sautour
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Origami Extinction - Amur Leopard IV (2021) 摄影 由 Vethan Sautour
摄影, 44.5x24.8 in
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在纸上
- 可用份数 1
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外形尺寸
46.1x26.4 in
单独工作的尺寸,不带框架: 高度 44.5in, 宽度 24.8in - 艺术品状况 艺术品完好无损
- 是否含画框 这件作品是诬陷 (框架+玻璃下)
- 分类 摄影作品 低于US$5,000 抽象主义 丰富多彩的
The aim of the "Origami Extinction" photographic series is to raise awareness on the disappearance and endangerment of animal species by closing the gap between subject and viewer.
Through shapes, shadows and textures, I photograph a number of origami equivalent to the remainder of existing individuals of a given species to[...]
The aim of the "Origami Extinction" photographic series is to raise awareness on the disappearance and endangerment of animal species by closing the gap between subject and viewer.
Through shapes, shadows and textures, I photograph a number of origami equivalent to the remainder of existing individuals of a given species to enable the spectator to apprehend in a visual, instantaneous manner the danger of their imminent extinction. Instead of shock value, poetry and beauty have been considered a more efficient tool for reaching a lasting effect on onlookers and spur interest.
The artistic objective is to confer an intellectual reality to these beings, so as to raise empathy, understanding and stir viewers into action. Whilst the hues are representative of the animals' true shades and environment, the blank spaces draw their influence from Japanese traditional "nihonga" art, in which artists used to leave a part of the canvas empty for the onlooker to be able to project his thoughts and contemplate his soul.
The Amur leopard is one of the most critically endangered big cat species on the planet with an estimated 84 individuals left in the Russian Far East.
The main threat affecting Amur leopards is poaching caused by the interest its fur brings on the illegal trade market.
In 2012 was created the Land of the National Park in the Russian Far East, in the Primorsky Krai, to prevent the Amur leopard from disappearing as at this time only an estimated 30 individuals remained in the wild. As Dr. Sybille Klenzendorf from WWF put it: "Amur leopard are teetering on the brink of extinction. With the establishment of the Land of the Leopard National Park, in conjunction with other conservation efforts, we can now start to focus on how to begin to bring them back."
Through shapes, shadows and textures, I photograph a number of origami equivalent to the remainder of existing individuals of a given species to enable the spectator to apprehend in a visual, instantaneous manner the danger of their imminent extinction. Instead of shock value, poetry and beauty have been considered a more efficient tool for reaching a lasting effect on onlookers and spur interest.
The artistic objective is to confer an intellectual reality to these beings, so as to raise empathy, understanding and stir viewers into action. Whilst the hues are representative of the animals' true shades and environment, the blank spaces draw their influence from Japanese traditional "nihonga" art, in which artists used to leave a part of the canvas empty for the onlooker to be able to project his thoughts and contemplate his soul.
The Amur leopard is one of the most critically endangered big cat species on the planet with an estimated 84 individuals left in the Russian Far East.
The main threat affecting Amur leopards is poaching caused by the interest its fur brings on the illegal trade market.
In 2012 was created the Land of the National Park in the Russian Far East, in the Primorsky Krai, to prevent the Amur leopard from disappearing as at this time only an estimated 30 individuals remained in the wild. As Dr. Sybille Klenzendorf from WWF put it: "Amur leopard are teetering on the brink of extinction. With the establishment of the Land of the Leopard National Park, in conjunction with other conservation efforts, we can now start to focus on how to begin to bring them back."
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Vethan Sautour 是一位居住在奥地利维也纳的法国概念艺术家。在索邦大学完成法律和艺术史学士学位以及艺术市场和国际商务硕士学位后,她在联合国任职。在那里,她所从事的事业给了她一些想法,这些想法塑造并催生了她关注动物灭绝和气候变化的艺术系列。为此,她使用了多种媒介,例如摄影和雕塑。 2018 年是她在佛罗伦萨的首次展览,此后她不断有机会展示她的作品,包括威尼斯、巴黎、伦敦、柏林、迪拜、苏黎世、佛罗伦萨和韩国等其他热点地区。[...]