del 497 (2012) 绘画 由 Ulrich De Balbian

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包含真实性证书
  • 原创艺术品 绘画,
  • 外形尺寸 尺寸可根据要求提供
  • 分类 画作 从US$20,000 古典主义
My art makes the invisible visible. Always near/er to the (he)art of Creation, but never close enough, yet.... Slideshows of work uploaded 13 and 14 March UQbaS Links to videos of my paintings at YOU TUBE watch?v=kPFgKwZvLx0 watch?v=xD7tC8Hmjpk
My art makes the invisible visible.
Always near/er to the (he)art of Creation,

but never close enough, yet....

Slideshows of work uploaded 13 and 14 March

UQbaS


Links to videos of my paintings at YOU TUBE


watch?v=kPFgKwZvLx0

watch?v=xD7tC8Hmjpk

watch?v=-Hfo1UsSL58

watch?v=yW7b72aRj94

The human mind treats smaller paintings as if it is looking AT an object or a thing such as a table or chair ,
but larger works are experienced (like installations) as if one is part of them and participate in them.
Now that you know this please do not treat these images as if they
are just more objects or things you look AT,
but experience and participate in them.
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The prices in the catalogue iare INcorrect as the work should be priced from $500,000 upwards. Contact the artist or curator of his work for the correct price of a work. For slideshows of my work[...]

The prices in the catalogue iare INcorrect as the work should be priced from $500,000 upwards. Contact the artist or curator of his work for the correct price of a work.

For slideshows of my work see site/artgalleryulrich/

as well as AUCTIONS prices up to $10,000,000 plus.

About Edit

ateliers in several countries

Prices for the work are INcorrect, contact seller for correct price at the time.

I suddenly realized that what I always took for granted seems to be the exception rather than the rule: I do not paint for collectors, buyers, curators, gallery owners, art reviewers and critics and others in the art industry who lives OFF art. No, I paint for the handful of other serious artists, especially those who are yet to be born, and who live FOR art. In other words, I assist in the making , maintenance and development of art (or more specifically the painting discourse and intersubjectivity) history .

From ART STUFF - why art? (for artists, students, collectors/viewers -

I have long been an advocate for Art Students (and Artists for that matter) doing lots of work and focusing more on quantity than quality (to a degree and depending on what medium they are working in etc.) so they can work fast through issues and not get bogged down in the ‘is it ok’ scenario.
What do you want from art?
As a Student, or Artist, whichever position you are in, stop and have a think for a bit. What do you want from Visual Art.. and perhaps why do you want it.

Lets explore a little. Oh and feel free to give me feedback via the comments as I think this is a hot topic to think about.

Student

Learn about various materials and processes
Develop an understanding/appreciation of creative processes
Develop a body of work
Learn about the theory and history of Visual Art
Explore the cultural and or other implications of Visual Art
To explore and or respond to your subject matter
To develop concepts, issues and notions about your art in a contemporary context (self - wider community - global)
Other?
Artist

To explore and or respond to your subject matter
To develop concepts, issues and notions about your art in a contemporary context (self - wider community - global)
To perhaps make $$ from the sale of your works
To experience the responses your audience has about your works
As a device to build your status…
Other?
Note at the Artist’s level the wants can be different to the student’s but there is a solid overlap.

Would working on these points assist or hinder the people involved? or would it provide a springboard for further discussion, development etc…



Art seems to be more about a person making objects as part of an ongoing process than it is about creating things of beauty,



Don’t expect Art to soothe your soul, it may in fact disrupt your soul, interrupt your rational thinking and aggravate you...

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