Tracktion (2018) Fotografie door Susan Maxwell Schmidt

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Verkocht door Susan Maxwell Schmidt

  • Dit werk is een "Open Edition" Fotografie, Giclée / Digitale afdruk
  • Dimensies Verschillende maten beschikbaar
  • Verschillende ondersteuningen beschikbaar (Fine art papier, Bedrukkingen op Metaal, Canvas Print)
  • Framing Framing beschikbaar (Zwevend frame + onder glas, Frame + onder acrylglas)
  • Staat van kunstwerk Het kunstwerk is in perfecte staat
  • Categorieën Minimalisme Trein
A surrealist photograph with lots of yummy bokeh and gritty film grain, desaturated to black and white with just a touch of a cool blue tone, of rural railroad tracks on a snowy winter day as seen through a clear crystal sphere. Are you seeing your past or future through my crystal ball? Did the metaphorical train bring you to this point or is it going[...]
A surrealist photograph with lots of yummy bokeh and gritty film grain, desaturated to black and white with just a touch of a cool blue tone, of rural railroad tracks on a snowy winter day as seen through a clear crystal sphere. Are you seeing your past or future through my crystal ball? Did the metaphorical train bring you to this point or is it going to take you on great adventures unknown? Or are you in limbo, left at the station with no train scheduled to arrive anytime soon? Will you see it differently tomorrow? Do I ask too many questions? No? You don't think so? How 'bout now?

Verwante thema's

Rural Railroad TracksRural Train TracksRural LandscapeGlass SphereRailroad Tracks Reflection

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My mind lives in a rather strange world of its own, in a state which I tend to refer to as "delightfully twisted." Through my art, which I am vehemently determined to continue to create with as little[...]

My mind lives in a rather strange world of its own, in a state which I tend to refer to as "delightfully twisted." Through my art, which I am vehemently determined to continue to create with as little outside influence as possible, I work tirelessly to interpret the concepts my mind creates in a moment-by-moment barrage of ideas that always seem to come faster than I can realize them in a tangible form. Though my artwork over the past 40 years has evolved from my early days of shooting on film to manifesting itself in many different forms of more contemporary media, from the delicate transparency of digital watercolor, to the no-holds-barred starkness of noir digital photography, to even the fanciful abstract-turned-conceptual properties of my mathematics-based fractal art, the undercurrent that binds them all is my life-long love of surrealism. I prefer the surrealist worlds my mind creates to the one in which we all inhabit, and though I create all my art to please only myself as a rule, absolutely nothing thrills me more than when it speaks to someone else as it does me.

My art has appeared in SLAM Magazine, Garden Tripod and Best of Creatocracy, and graced the cover of British group River City Portrait's digital music single "Paralysed." I was honored as the best artist to represent Pennsylvania in 50 States of Art 2015.

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