Arte digitale intitolato "Red Shift Farside I…" da Stephen Calhoun Stephen Calhoun, Opera d'arte originale, Fotografia digit…

Red Shift Farside IIb (2018) Arte digitale da Stephen Calhoun Stephen Calhoun

Originale

Non in vendita

Opera d'arte originale Arte digitale, Fotografia digitale / Lavoro digitale 2D

Classificazione delle opere

Opera d'arte originale

Le opere d'arte originali sono tutte le opere considerate autentiche e non una copia o imitazione delle opere originali di un artista. Le opere d'arte originali possono essere qualsiasi tipo di pittura, scultura, performance o altro supporto. Esistono molti tipi di supporti originali. I supporti misti includono colori ad olio, acrilici e acquerelli. Per i dipinti di bottega che testimoniano l'artigianato, questa attribuzione deve essere più sfumata. Sebbene possano essere meno preziosi per vari motivi, le riproduzioni e le copie hanno avuto un enorme impatto sulla nostra esperienza. Raggiungono un pubblico più ampio rispetto agli originali e fungono da tonico contro la mercificazione. L'opera originale potrebbe riferirsi anche alla prima opera, che precede sempre tutte le altre. Può anche riferirsi a un prototipo oa un modello da cui si possono realizzare altre opere. Ogni opera ha grandi somiglianze con l'originale.
Dimensioni Le dimensioni sono disponibili su richiesta
Condizioni dell'opera d'arte L'opera d'arte è in perfette condizioni
Categorie Arte tribale Tribale

Blending of abstract and open source photographic elements. Aim was to suggest a cosmic landscape. A proposito di quest'opera: Classificazione, tecniche & Stili Fotografia digitale [...]

Stephen Calhoun Stephen Calhoun

Stati Uniti

Stephen Calhoun, born 1954 in Cleveland, Ohio USA, is a self-taught artist working in a variety of modalities, most prominently photography, mixed process new media, digital cinema, generative art, stochastic art, and, sound design. His use of technology counts him exclusively as a digital artist since 2003. (Before then he was a hobbyist painter.) Starting as a self-taught graphic designer in 1985, he painted from 1993-2002. He took up procedural, generative digital art in 2003. In 2009, he took up digital photography, and soon began fusing photography with generative procedures. His experiments have focused on complexity, iteration, and symmetry since 2012. In 2022 he began to investigate how to incorporate prompt/diffusion technology into his iterative art practice.

He was discovered by Cleveland art maven and gallerist Deba Gray in 2014. He was 59 years old at that life altering moment. His debut solo exhibition, The Grasp of Order, was presented by Ms. Gray and Serena Harrigan at Grays Auctioneers in Cleveland 2016-2017.

His art is most deeply influenced by music. He was an instrumentalist—mainly pedal and lap steel guitars, synthesizers—and sound designer/composer, producing ten recordings under the name Kamelmauz between 2001-2015. As well, he is a theorist in the field of experiential learning and its role in adult development. He is retired from the workaday world, having worked in organizational development and in the music industry.

He has exhibited widely in juried, group, solo, and curated shows. Artworks are in over one hundred private collections. His current artistic catalogue of archival prints to paper, aluminum, vinyl, acrylic, cloth, light box, and glass is available variously in small limited and final editions (which add a single artist’s proof to the edition.)