South Downs, East Sussex (2025) Peinture par Sonia Finch

Fermeture temporaire.

Cet utilisateur a indiqué qu'il n'est actuellement pas disponible et sera de retour le 8 août 2025

Papier d'art, 8x11 in
Œuvre signée par l'artiste
Certificat d'authenticité inclus
Prêt à accrocher
Monté sur Châssis en bois
  • Édition limitée (n°400/850) Peinture, Huile sur Toile
  • Nombre d’exemplaires disponibles 400
  • Dimensions Hauteur 11,7in, Largeur 16,5in
  • État de l'œuvre L'œuvre est en parfait état
  • Encadrement Cette œuvre n'est pas encadrée
  • Catégories Peintures à moins de 5 000 $US Land Art Campagne
Last summer, I spent a glorious day wandering through the South Downs, following my favorite route from Littlington to Cuckmere Haven. Along the way, I passed the enigmatic Long Man of Wilmington, etched into the hillside like a guardian of ancient wisdom. This landscape never fails to inspire me—miles of open skies stretch over rolling hills, punctuated [...]
Last summer, I spent a glorious day wandering through the South Downs, following my favorite route from Littlington to Cuckmere Haven. Along the way, I passed the enigmatic Long Man of Wilmington, etched into the hillside like a guardian of ancient wisdom. This landscape never fails to inspire me—miles of open skies stretch over rolling hills, punctuated by charming villages with thatched cottages, winding lanes, and timeworn farms.

The hedgerows, brimming with cow parsley and wildflowers, swayed gently in the breeze, their delicate forms dancing in the golden light. The air carried the scent of earth and blossoms, and with every step, I felt immersed in the quiet magic of the land.

The hills unfolded in a patchwork of fields and meadows, each with its own rhythm of color and texture—wheat rippling like a golden sea, emerald pastures speckled with grazing sheep, and wild grasses shifting in the wind. Capturing this tapestry in paint became an irresistible challenge, translating the movement of light and shadow into brushstrokes that hold the essence of this sacred landscape.

Back in my studio, I wanted to recreate not just the scenery but the feeling of walking through it—the expansiveness, the timelessness, the sense of deep connection with the land. Layer by layer, I built up the textures, from the soft haze of distant hills to the intricate dance of wildflowers in the foreground. Color played a vital role in shaping the mood. I blended warm, sunlit golds with the cool blues of the sky and the soft greens of rolling meadows, letting them merge in ways that reflect the shifting light of the South Downs. The final touches—subtle highlights, the impression of a breeze whispering through the grass—brought the piece to life, turning a canvas into a portal to that serene summer’s day.

This painting is more than a landscape; it’s a memory, a love letter to a place that has left its imprint on my heart. I hope that when others see it, they feel the same sense of peace and wonder that I did as I walked those ancient paths...

Thèmes connexes

Agricultural ArtCornfieldCountry LifestyleCrop FieldsDog Walker Art

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Originally from Tonbridge, Kent, I was always making things as a child, my mother following me around the house with projects strewn everywhere. My grandparents were keen artists and gave me lots of encouragement. [...]

Originally from Tonbridge, Kent, I was always making things as a child, my mother following me around the house with projects strewn everywhere. My grandparents were keen artists and gave me lots of encouragement.


In my early 20’s, I undertook a National Diploma course in Graphic Design and then went on to the Surrey Institute in Epsom to gain a BA (Hons) in Graphic Design.  Following 13 years as a Graphic Designer, I decided to fulfil my dream of becoming a Lecturer and pass on what I'd learned. I undertook a PGCE at Northbrook College and gained employment at West Kent College, Ravensbourne and Nescot, where I lectured in Graphic Design, Art and Music. I thrived in helping adults young and old to make their dreams come true. I also unfolded my healing gifts through shamanic and reiki training.

Motherhood, enabled me to return to my own illustration and art projects. My most recent project has been to paint local landscapes that hold fond memories for me and bring great joy and British wildlife. I hope you enjoy them as much as I have...

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