Poster #6 (2024) 数字艺术 由 Sofia Passos
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时，他们都会获得使用费。
关于我们的优良打印-
该作品是“开放版”
数字艺术,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 分类 抽象主义 丰富多彩的
Digital profusely detailed HQ 8000x 8000 px 300dpi ready to print. Square format.
I am not selling printables, just a few prints of each of my illustrations.
Get in touch for specific requests, Keep in mind that colours might change slightly from screen to screen and from screen to print.
相关主题
Abstract ArtAbstract MinimalMinimal ArtDigital ArtMinimal Abstract
I am presenting a language of perception, texture and colour but, most of all a mindful savour of each detail. Planetary landscapes from our planetary history to our subatomic dimension, flying over the surface of my conscience and sense of self, matter and light shining through the water.
That's how I see us under our skin. Perceiving amazing creatures of matter and light shining through our 80% water bodies, sharing our perceptions as we go together in this journey called life.
I come from a long series of lost opportunities, bad choices and dead ends. This is not what a biography should look like, but I don't care. As a human, I did all I could with all I had and found peace with this recently as I'm almost 50 years old and after half a century of self-blaming I'm now conscious it could have been much worse.
I was born in Huambo, Angola. Grew up near Lisboa Portugal. Studied architecture and completed my degree in set and costume design at ESTC College. A series of family, health and life events got in the way of what would have been another me and only in 2020/21 during the pandemic, I was back to fineliners, graphite, and got to know the pleasure of a digital table.
My inspiration is deep space, silent flying in space, light through liquid reflecting over surfaces, microscopic landscapes, minimal music such as Nils Frahm and Philipe Glass, and the powerful Mark Rothko paintings. I'm also inspired by the Taoist and Buddhist philosophies, by nothingness and the Tao. I am also eternally humbled by the dimension and beauty of the inconceivable giant celestial bodies we perceive as tiny stars.
I'm also presenting some digital portraits. I've been drawing tired, sad but also hopeful, shining expressions with wrinkles, simple lines, free spontaneous textures and a few moments of red and pink as well as some botanical elements. I'm inspired by Asian esthetic, philosophy and spirituality and by the Japanese white, red, black and pink, in what concerns portraits.
Although I understand digital illustration is seen as more "functional", it gives me a huge pleasure to work with RGB and light. I am in the middle point between both worlds. Instead of pigment, I'm using digital colours but my relation with the tools (Krita and Affinity), process and state of mind is the same as if I was before a canvas.
