Whispers of the Red Moon (2025) Pintura por Sergio Repossini

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Vendedor Sergio Repossini

  • Obra de arte original (One Of A Kind) Pintura, Acrílico en Lienzo
  • Dimensiones Altura 41,3in, Anchura 42,5in
  • Enmarcado Esta obra de arte no está enmarcada.
  • Categorías Minimalismo Paisaje
The most striking element of the composition is the large, reddish-orange moon dominating the upper part of the painting. The moon has a textured, almost marbled surface, resembling the appearance of a lunar eclipse or a “blood moon.” Its warm tones contrast sharply with the cool darkness of the city, making it feel almost otherworldly. The city itself [...]
The most striking element of the composition is the large, reddish-orange moon dominating the upper part of the painting. The moon has a textured, almost marbled surface, resembling the appearance of a lunar eclipse or a “blood moon.” Its warm tones contrast sharply with the cool darkness of the city, making it feel almost otherworldly. The city itself lacks detail in its windows or streets, emphasizing a dreamlike or dystopian quality—silent, mysterious, and possibly abandoned.

The painting conveys a sense of solitude and stillness, as if the city is frozen under the moon’s haunting glow. The overall mood is surreal and slightly ominous, leaving the viewer with a feeling of quiet contemplation or even unease.

Temas relacionados

LandscapeAcrylicCanvasMoonNight

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I have a background that comes from the scientific field, with a degree in physics. For many years professor of mathematics and physics in secondary schools in Milan. However, in the course of my work, in addition [...]

I have a background that comes from the scientific field, with a degree in physics.  For many years professor of mathematics and physics in secondary schools in Milan. 

 However, in the course of my work, in addition to dedicating myself to teaching, I have always kept my passion for art alive by making paintings and participating in exhibitions, galleries and art fairs.

  My artistic inspiration comes from observation of the real world and in the path of investigation I find an affinity between art and science.

  I prefer a pictorial formula that draws on the tradition of realism of the classical masters, but with personal modulations in the combination of shapes and colors.  The landscape is understood as the perception of a state of mind that is evoked.

 In recent times I have been creating works of art using an artificial intelligence model trained through the exclusive use of my works.

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