Autumnly #29 (2009) Цифровое искусство - Kenneth Grzesik

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Сертификат подлинности включен
  • Эта работа является "Открытое издание" Цифровое искусство, Giclée Print / Цифровая печать
  • Размеры Доступны несколько размеров
  • Доступно несколько опор (Бумага изобразительного искусства, Тиснение по металлу, Печать на холсте)
  • Рама Обрамление доступно (Плавающая рамка + под стеклом, Рамка + Под акриловое стекло)
Vector collage imagery explores a visual connection to nature. The lush green of summer is replaced by a new spectrum of yellow, orange and red. The flow of time can be seen in the changing hues. Contact Kenneth Grzesik at for price and printing options. По поводу[...]
Vector collage imagery explores a visual connection to nature. The lush green of summer is replaced by a new spectrum of yellow, orange and red. The flow of time can be seen in the changing hues. Contact Kenneth Grzesik at for price and printing options.

Связанные темы

Creative Observation Of The Time When The Cool Nights Of Autumn Color The Landscape The Feel Of Change Is In The Air.

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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