Garden View 31 (2020) Цифровое искусство - Kenneth Grzesik

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  • Подлинное произведение искусства Цифровое искусство, 2D Цифровая Работа / Цифровая живопись / Фотомонтаж
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The visual art is a poem without words where the meaning lies hidden between the lines. It is there. The key is to look for ti. There is pleasure in the search. I like that. There is a visually transmitted assemblage of thoughts. Some are close to the surface. These can art as an attractant like the colors of flowers. They draw attention inviting closer[...]
The visual art is a poem without words where the meaning lies hidden between the lines. It is there. The key is to look for ti. There is pleasure in the search. I like that. There is a visually transmitted assemblage of thoughts. Some are close to the surface. These can art as an attractant like the colors of flowers. They draw attention inviting closer inspection. The closer one looks the more there is to find. Associations between geometric and organic elements are a foundation. Like a perceptual construction project the artwork essentials are assembled in a focused way. The finished product is a synergistic blend of idea with activity with the intention of producing a sublime visually aesthetic experience.

Связанные темы

Digital AbstractSeriesFloralSpring FlowerArt Deco

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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