Mountain Winter #43 (2010) Arte digitale da Kenneth Grzesik

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Quest'opera d'arte appare in 1 collezioni
  • Quest'opera è una "Open Edition" Arte digitale, Schizzo / Stampa digitale
  • Dimensioni Diverse taglie disponibili
  • Numerosi supporti disponibili (Carta per belle arti, Stampa su metallo, Stampa su tela)
  • Incorniciatura Framing disponibile (Cornice galleggiante + sotto vetro, Frame + Sotto vetro acrilico)
"Mountain Winter" is a creative experiment that follows the flow of time as it rotates on the axis of nature. It is a visual synthesis of art, technology and the environment. It is a link between experience and perception continually flowing with the nowness of now. The imagery is created by layering experience in a way that is similar to[...]
"Mountain Winter" is a creative experiment that follows the flow of time as it rotates on the axis of nature. It is a visual synthesis of art, technology and the environment. It is a link between experience and perception continually flowing with the nowness of now. The imagery is created by layering experience in a way that is similar to the application of layers of paint on a canvas. The result is a visual synergy. Contact Kenneth Grzesik at for price and printing options.

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Mountain Winter Is When The Chilling Winds Penetrate Into Every Aspect Of The Ambient. This Is A Vision Of The Experience.

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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