Forest Abstract 43 (2018) Arte digitale da Kenneth Grzesik

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Venditore Kenneth Grzesik

  • Quest'opera è una "Open Edition" Arte digitale, Schizzo / Stampa digitale
  • Dimensioni Diverse taglie disponibili
  • Numerosi supporti disponibili (Carta per belle arti, Stampa su metallo, Stampa su tela)
  • Incorniciatura Framing disponibile (Cornice galleggiante + sotto vetro, Frame + Sotto vetro acrilico)
  • Categorie Astratta
The photograph used to create the symmetrical composition was taken deep in a Pacific Northwest forest early in the summer of 2018. The sun was at peak brightness as it filtered through the forest canopy. Open areas were filled with light. Where the vegetation was thicker shadows created deep pools of greens in varying shades. [...]
The photograph used to create the symmetrical composition was taken deep in a Pacific Northwest forest early in the summer of 2018. The sun was at peak brightness as it filtered through the forest canopy. Open areas were filled with light. Where the vegetation was thicker shadows created deep pools of greens in varying shades.

Temi correlati

Digital AbstractImage SeriesNature AbstractGeometryNature Patterns

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

I think it's possible that beauty can save the world. Art can be life as life can be art. Both can be beautiful if given a chance.My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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