Untouched Landscape (2018) Pittura da Schawalder

Non in vendita

Venditore Artmajeur

Lavoro singolo
Opera firmata dall'artista
Certificato di autenticità incluso
Pronto da appendere
Montato su Telaio per barella in legno
Quest'opera d'arte appare in 3 collezioni
  • Opera d'arte originale (One Of A Kind) Pittura, Acrilico su Tela
  • Dimensioni Altezza 39,4in, Larghezza 39,4in
  • Condizioni dell'opera d'arte L'opera d'arte è in perfette condizioni
  • Incorniciatura Questa opera d'arte non è incorniciata
  • Categorie Quadri sotto i 1.000 USD Astratta Astratta
Schawalder is focused on abstract color field painting. Her emotions continues these vibrant, rigorously constructed compositions, which implies their inherent formal characteristics, the essence of color and dancing lines. Schawalder‘s works are focused on abstract fields in all forms and meanings; the fields of the vitality, daydreaming, knowledge,[...]
Schawalder is focused on abstract color field painting. Her emotions continues these vibrant, rigorously constructed compositions, which implies their inherent formal characteristics, the essence of color and dancing lines. Schawalder‘s works are focused on abstract fields in all forms and meanings; the fields of the vitality, daydreaming, knowledge, experience and overwhelming happiness. The viewer is invited to engage with these paintings as a choreography of energies, unlimited to time and space.

Temi correlati

AbstractColorLightFormArtist

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Schawalder is focused on abstract color field painting. Strictly speaking, the word abstract means to separate or withdraw something from something else.  Abstract art uses visual language of shape, form, color[...]

Schawalder is focused on abstract color field painting. Strictly speaking, the word abstract means to separate or withdraw something from something else.  Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art, are closely related terms. They are similar, but perhaps not of identical meaning.

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