Not Worth It (2020) 绘画 由 Sashka

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卖家 Sashka

  • 原创艺术品 (One Of A Kind) 绘画, 丙烯 在木上
  • 外形尺寸 高度 7.1in, 宽度 8.7in
  • 艺术品状况 艺术品完好无损
  • 是否含画框 此作品未装裱
  • 分类 象征主义 日常生活
This was my first piece on the subject of toxic relationships. I made it after an argument with my ex partner, one of many of its kind. In that relationship I had no say on any subject, I couldn’t be true to myself without feeling judged, being criticised, attacked verbally, with all my concerns deemed unimportant and efforts twisted to look insignificant. [...]
This was my first piece on the subject of toxic relationships. I made it after an argument with my ex partner, one of many of its kind. In that relationship I had no say on any subject, I couldn’t be true to myself without feeling judged, being criticised, attacked verbally, with all my concerns deemed unimportant and efforts twisted to look insignificant. Complaints of any kind were unwelcome. I had a strong need to be heard and seen and so this piece was born.
Just like on the image, the atmosphere switched between ‘love of my life’ and ‘you are not worth my efforts, you don’t deserve a partner like me’.
It was a chaotic, controlling relationship. “My way or the high way”.

The lines on his shirt echo the bars in a prison cell, they are purple – the colour of authority, on top of blue, which is the colour of hope for me. The punishment-reward pattern perpetuates the co-dependent aspect of abusive relationships. Two people get stuck in a twisted routine without realising it.
This piece represents an important turning point for me as it revealed a pattern that had become by that point automatic.
It had marked the inception of my new identity as an artist and a new life on its way, for me as a person. From that point on my work has been more autobiographical. My explorations of self started tying closer to my creativity. I started seeing the importance of sharing my experience with the world.


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AbuseAbusive RelationshipNarcissistic AbuseNot Worth ItToxic Relationship

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Born and raised in Klaipeda, Lithuania, this is where my art journey began, on a coastal town in a cold country, where the skies were normally gloomy, energy low and conversation minimal. The North Eastern European [...]

Born and raised in Klaipeda, Lithuania, this is where my art journey began, on a coastal town in a cold country, where the skies were normally gloomy, energy low and conversation minimal.

The North Eastern European art tutoring culture is rather conservative and focuses majorly on technique. Starting 2003, I began developing my academical art skills in this environment.

My skills got furthered and deepened between 2009 and 2011 with the Graphics & Printmaking course at the Vilnius Arts Academy, with the most useful perspective-shifting class being Composition for one semester with Arūnas Gėlūnas, a philosophy professor (who later became the culture minister), who had studied Japanese sumi-e painting and taught us to bring in brush size, stroke, shape & tone variability, which enriched my library of brush strokes significantly and keeps feeding my art creation to this day.

Having reached academical-art-learning burnout by Summer 2011, I left my quiet & uneventful life in Lithuania for a change of pace in London, UK.

I had switched from constant studying to working different jobs, while keeping art on the background at all times, increasing my desire to create more and more as the frustration with having to do other things for a living built up.

Finally, in 2015 I quit my day job and went into art full time, exploring various artistic income streams, from live portraits to digital logos, to illustration, to workshops.

In late 2015 I partnered with Louis de Trebons to paint signs at Camden Market, which led me into paiting at festivals later and exploring different other ways of applying my painting skills. Louis became one of my biggest influences both emotionally and artistically, bringing in more texture into my art, as well as more expression, colour and later finding that I wanted my art to represent my care for the environment.

During that period of 2015-2021, we left London together and started a farm project in Hungary, where we hosted festivals and workshops in the artistic surrounding of our creation, featuring our own art works and those of our guests. I began exploring more eco-friendly ways of art making, including pigments and egg tempera, pigments and oils, repurposing canvases, using eco mineral paits for home on my painting surfaces.

In 2021, Louis' passing became another pivoting point, forcing physical and spiritual change and greater self-acceptance. It was time to start connecting all the influences and knowledge and weave my own story out of it all.

Today, my fine art is a combination of classical training, expressive bursts of colour and experimentation with paint texture. I aim to use mostly eco-friendly non-toxic recycled/repurposed materials and feature predominantly female figures to tell a visual story.

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