《Hannibal》 (2022) 絵画 锐 纪 によって

"Hannibal: The Silent Power in Indian Mythology"

This original hand-painted oil painting draws inspiration from Indian mythology, reimagining the primordial divine elephant "Hannibal" as a visual emblem that blends divinity with modern aesthetics. Cloaked in interwoven tones of deep brown and ink-black, the elephant resembles a bronze obelisk come to life—its majestic form defined by fluid, tension-filled lines that evoke both Herculean strength and the compassionate contours of the Hindu god Ganesha. The head, bowed slightly to the right, features a trunk coiled like a celestial serpent, its tip grazing the earth as if conveying a mute revelation or restraining primordial forces, creating a dramatic tension of "silence bursting with cataclysmic force."

The minimalist background of milky white and soft gray gradients rejects narrative complexity, focusing the viewer’s gaze entirely on the elephant. Through extreme contrasts of light and shadow—the deepest brown manes cascading like waterfalls in darkness, and faint golden glimmers emanating from skin folds reminiscent of dawn breaking through clouds—the artist bestows an otherworldly divine aura upon the scene. Notably, the ground beneath the elephant’s feet bears dark red splatters resembling lava flows, clashing with the bronze coolness of its hooves to symbolize the alchemical refining of worldly struggles by divine power.

The painting’s brilliance lies in its contemporary reinterpretation of "Hannibal’s" mythic core. Departing from traditional elephant deities’ associations with wealth and wisdom, this elephant embodies philosophical contradictions: it is both a liberator of spiritual attachments (echoing the Mahabharata’s epic where the Pandavas cross rivers atop an elephant) and a judge of humanity’s karmic burdens (alluding to the cycle of rebirth). Using abstraction, the artist condenses Hindu cosmology’s "three realms"—heaven (the void touched by the trunk), earthly realm (lava below), and underworld (subterranean currents)—into a two-dimensional plane, transforming the elephant into a spiritual emblem bridging multiple dimensions.

This work pays homage to Hindu aesthetics’ concept of Samabhva (harmonious grandeur) while probing the eternal dialectic of power and compassion through thickly layered textures and geometric conflicts. As viewers trace the trunk’s winding descent to its profound, pupilless eyes, they encounter a momentary liminal space—where silence roars louder than sound.