専門家の選択

現代アート界で認められた専門家による厳選されたアート作品。

JÉRÔME PANTALACCI

画像による信念

写真の視点

写真はその創造以来、見る者の信じやすさの検証を内包してきました。写真は即座に現実の忠実な反映として認識されましたが、それは決してそうではありません。写真家たちはこの忠実さに決して限らず、カメラを手に取り、世界を別の視点で捉え、私たちの感覚と遊んできました。

デジタル技術と人工知能がすべての操作を可能にし、画像が常に問い直される今、写真は信じやすさの検証を失い、見る者は自分が見ているものを信じなくなりました。それでも、写真家たちはカメラ、フレーム、単焦点の視点を使って、私たちに世界を異なる方法で見るよう促す画像を生み出し続けています。

世界に新たな注意を向けること、現実に近づくこと、またはその視点を変えることは、無効な画像で溢れた世界の中で私たちの現実への信念を失わせることなく、目を休めることでもあります。

写真の視点

写真はその創造以来、見る者の信じやすさの検証を内包してきました。写真は即座に現実の忠実な反映として認識されましたが、それは決してそうではありません。写真家たちはこの忠実さに決して限らず、カメラを手に取り、世界を別の視点で捉え、私たちの感覚と遊んできました。

デジタル技術と人工知能がすべての操作を可能にし、画像が常に問い直される今、写真は信じやすさの検証を失い、見る者は自分が見ているものを信じなくなりました。それでも、写真家たちはカメラ、フレーム、単焦点の視点を使って、私たちに世界を異なる方法で見るよう促す画像を生み出し続けています。

世界に新たな注意を向けること、現実に近づくこと、またはその視点を変えることは、無効な画像で溢れた世界の中で私たちの現実への信念を失わせることなく、目を休めることでもあります。


MARC DONNADIEU

家族の画像 (インディアン・サマー)

写真の旅

この写真の旅は、日常の普通を離れ、休暇の時間を異なる方法で生きる夏の時期に焦点を当てています。これにより、Hicham Ahyoud、Hervé Gergaud、Anne-Marie Bertinの画像のように、新しい家族の物語を繊細に捉えることができます。

旅の時間は、視覚的な断片に分解され、再構成されることが特徴です。Henry Pouillon、Jean-Michel Ratron、Catherine Balletの作品は、コントラスト、ゆがみ、または重なりの効果を通じて、その完璧な例を示しています。

多くの人にとって、ビーチは休暇の象徴的な領域です。多くの人が集まりながらも、他者から孤立します。Cécile Ducrot、Emmanuel Passeleu、Hégémon Chaignonの写真は、海の地平線の広大さに対する人間の脆弱さを再現しています。しかし、それは同時に、Gilliard BressanやSharlie Evansが証言するように、垂直性の征服でもあります。ほぼ空中の形を通じて、他者と比較し、二人で抱き合うようにします。

写真は色とグラフィックの問題でもあり、Ori Junior、Debbie Scott-Queenin、Elke Matthaeusのメランコリックな夕日がそれを証明しています。

Luc Pallegoixは、夏の夜の中心に、夢と遊びの両方を持つ動物のトーテミックな形を描きます。そして、夏に遊んでみませんか?...

写真の旅. この写真の旅は、日常の普通を離れ、休暇の時間を異なる方法で生きる夏の時期に焦点を当てています。これにより、Hicham Ahyoud、Hervé Gergaud、Anne-Marie Bertinの画像のように、新しい家族の物語を繊細に捉えることができます。. 旅の時間は、視覚的な断片に分解され、再構成されることが特徴です。Henry Pouillon、Jean-Michel Ratron、Catherine Balletの作品は、コントラスト、ゆがみ、または重なりの効果を通じて、その完璧な例を示しています。. 多くの人にとって、ビーチは休暇の象徴的な領域です。多くの人が集まりながらも、他者から孤立します。Cécile Ducrot、Emmanuel Passeleu、Hégémon Chaignonの写真は、海の地平線の広大さに対する人間の脆弱さを再現しています。しかし、それは同時に、Gilliard BressanやSharlie Evansが証言するように、垂直性の征服でもあります。ほぼ空中の形を通じて、他者と比較し、二人で抱き合うようにします。. 写真は色とグラフィックの問題でもあり、Ori Junior、Debbie Scott-Queenin、Elke Matthaeusのメランコリックな夕日がそれを証明しています。. Luc Pallegoixは、夏の夜の中心に、夢と遊びの両方を持つ動物のトーテミックな形を描きます。そして、夏に遊んでみませんか?.

写真の旅

この写真の旅は、日常の普通を離れ、休暇の時間を異なる方法で生きる夏の時期に焦点を当てています。これにより、Hicham Ahyoud、Hervé Gergaud、Anne-Marie Bertinの画像のように、新しい家族の物語を繊細に捉えることができます。

旅の時間は、視覚的な断片に分解され、再構成されることが特徴です。Henry Pouillon、Jean-Michel Ratron、Catherine Balletの作品は、コントラスト、ゆがみ、または重なりの効果を通じて、その完璧な例を示しています。

多くの人にとって、ビーチは休暇の象徴的な領域です。多くの人が集まりながらも、他者から孤立します。Cécile Ducrot、Emmanuel Passeleu、Hégémon Chaignonの写真は、海の地平線の広大さに対する人間の脆弱さを再現しています。しかし、それは同時に、Gilliard BressanやSharlie Evansが証言するように、垂直性の征服でもあります。ほぼ空中の形を通じて、他者と比較し、二人で抱き合うようにします。

写真は色とグラフィックの問題でもあり、Ori Junior、Debbie Scott-Queenin、Elke Matthaeusのメランコリックな夕日がそれを証明しています。

Luc Pallegoixは、夏の夜の中心に、夢と遊びの両方を持つ動物のトーテミックな形を描きます。そして、夏に遊んでみませんか?...


LAURENCE DREYFUS

リビエラ

リビエラのセレクションは、ローレンス・ドレイフスによって慎重にオーケストレーションされ、地中海の光り輝く独特の本質を巧みに捉えています。この豊かでダイナミックなキュレーションは、さまざまな地平を持つ作品を集めています:色と光が完璧な調和で絡み合う活気あふれる抽象画、JchadimaやMila Weisの絵画シリーズのように;身体の純粋さを最も本物の形で称える洗練された彫刻、マリー・サクシクの彫刻のように;そして、自然と都市計画が優雅に対話する建築的で夢のような風景、ガエターノ・リグラニのRiflessioniやゴッゾのViaje solitarioのように。

太陽の輝き、繊細な雰囲気、そして一瞬の静止の中で、各クリエーションは—ファビエンヌ・ショヤウのRéflexion félineのような具象的なものから、フランソワ・キュッソンのCarotte sauvage, rougeのようなより詩的なものまで—視覚的かつ感情的な旅へと誘います、それは深くユニークです。

リビエラは、この特別な地域を形作る文化的な豊かさと芸術的な多様性に敬意を表し、物質、光、地中海の息吹が結びついて、稀な強度の視覚的シンフォニーを作り上げます。


リビエラのセレクションは、ローレンス・ドレイフスによって慎重にオーケストレーションされ、地中海の光り輝く独特の本質を巧みに捉えています。この豊かでダイナミックなキュレーションは、さまざまな地平を持つ作品を集めています:色と光が完璧な調和で絡み合う活気あふれる抽象画、JchadimaやMila Weisの絵画シリーズのように;身体の純粋さを最も本物の形で称える洗練された彫刻、マリー・サクシクの彫刻のように;そして、自然と都市計画が優雅に対話する建築的で夢のような風景、ガエターノ・リグラニのRiflessioniやゴッゾのViaje solitarioのように。

太陽の輝き、繊細な雰囲気、そして一瞬の静止の中で、各クリエーションは—ファビエンヌ・ショヤウのRéflexion félineのような具象的なものから、フランソワ・キュッソンのCarotte sauvage, rougeのようなより詩的なものまで—視覚的かつ感情的な旅へと誘います、それは深くユニークです。

リビエラは、この特別な地域を形作る文化的な豊かさと芸術的な多様性に敬意を表し、物質、光、地中海の息吹が結びついて、稀な強度の視覚的シンフォニーを作り上げます。



SONIA PERRIN

THE FOREST OF DREAMS

YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world.
Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living and global organization.
This link is not lost on artists who, in their representation of the plant world, denounce the imprint of Man on his environment, and encourage us to become aware of the vital nature that we have to modify our being-in-the-world.
YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world. Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living [...]
YourArt gives a voice to all visual artists and those who support them. Browse YourArt is a journey conducive to encounters, reflection, sharing of emotions and discovery. A walk where the diversity of creations and passions is comparable to the ecosystem of a forest. Artists are lookouts who invite us to keep our eyes open to the world. Their testimony, in the selection offered here, highlights the beauty and richness of the living world through works that question the place of Man in his community. Networks or roots, branches or social fabrics, Man, just like the tree, flourishes within a living and global organization. This link is not lost on artists who, in their representation of the plant world, denounce the imprint of Man on his environment, and encourage us to become aware of the vital nature that we have to modify our being-in-the-world.

SONIA PERRIN

COUPS DE ❤️ ART-O-RAMA

YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing. 1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video. 2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context. 3/ Galerie in situ presents the sociological work of young visual and performance [...]
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing. 1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video. 2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context. 3/ Galerie in situ presents the sociological work of young visual and performance artist Oroma Elewa. In large-format photo and text tableaux, the artist questions the image of black women and the stereotypes associated with their cultural identity. 4/ At Gilles Drouault, artist Johannes Sivertsen draws inspiration from the great masters of classical painting, such as Delacroix, to question the mechanisms of power within dominant groups, and bears witness to the dual process of otherness and hostility towards minorities.
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing. 1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video. 2/ Gaby [...]
YourArt is a partner of Art-o-rama, the feel-good fair. A stroll through the identity-related concerns of Generation Z, the 17th edition of this summer event dedicated to emerging galleries is refreshing. 1/ Sissi Club invites artists Camille Bernard and Corentin Darré to a sensitive and fantastic dialogue. Camille Bernard paints scenes in which humans, represented in inclusive form, cohabit between two worlds, in carnal and spiritual harmony with nature. Corentin Darré's stories are based on modern fairy tales, and explore the vulnerability of identity through sculpture and 3D video. 2/ Gaby Sahhar exhibits the Europe-Palestine project at Spiaggia Libera. Her paintings and drawings deal with the construction of identity linked to migration and gender identity. The series reveals hybrid architectures, between European capitals and the West Bank, and bears witness to the artist's phycho-affective context. 3/ Galerie in situ presents the sociological work of young visual and performance artist Oroma Elewa. In large-format photo and text tableaux, the artist questions the image of black women and the stereotypes associated with their cultural identity. 4/ At Gilles Drouault, artist Johannes Sivertsen draws inspiration from the great masters of classical painting, such as Delacroix, to question the mechanisms of power within dominant groups, and bears witness to the dual process of otherness and hostility towards minorities.

THE DRAWER

RAINBOW PORTRAITS

Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous. Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper. Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the [...]
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous. Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper. Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the visual arts and the performing arts.
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous. Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or [...]
Photographer, draughtsman and performer, Laurent Poleo-Garnier graduated from the Beaux-Arts de Paris in 2020. Sensitive and close to their models, his portraits of Parisian and Berlin youth, or of dancer and choreographer François Chaignaud, tell the story of a fluid era and express the artist's taste for metamorphoses, costumes, the world of show business, drag culture and its representatives, illustrious or anonymous. Laurent Poleo-Garnier also depicts himself in self-portraits inspired by figures from his personal pantheon (Nijinsky, Yves Saint Laurent, etc.), sometimes enhanced in ink or pencil with rainbow colors. These founding, free and transgressive figures are also reproduced in his works on canvas and paper. Far from the selfie and close to the homage, the images of Poleo-Garnier, a transformist artist heir to the pioneers Barbette, Claude Cahun and Manon, blend eras, genres and mediums, building aesthetic and sensitive bridges between the 20th and 21st centuries, between the visual arts and the performing arts.

STARTER

ARTYSANAT

If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand.
By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading to a redefinition and new incarnation of aesthetic codes.
Is it still possible to distinguish the work of man from that of the machine?
This tour questions the role of the hand in contemporary production, whether by its absence when it is replaced by an algorithm, or by its obvious presence when the work reveals a commitment to the artist's gesture and body.
If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand. By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading [...]
If the boundary between art and craft has always been difficult to draw, today it is even more permeable with the arrival of technologies capable of reproducing the work of the human hand. By turns craftsmen, designers, photographers, sculptors, and sometimes all at once, the artists in this selection produce works that are veritable condensations of technicality, whether automated or manual. While they sometimes call on cutting-edge technologies such as artificial intelligence, they also revisit ancestral methods where calm and patience are de rigueur, the combination of these skills leading to a redefinition and new incarnation of aesthetic codes. Is it still possible to distinguish the work of man from that of the machine? This tour questions the role of the hand in contemporary production, whether by its absence when it is replaced by an algorithm, or by its obvious presence when the work reveals a commitment to the artist's gesture and body.

STARTER

IMAGINING THE INVISIBLE

Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space. The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage. Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world? What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat. Space images offer a window [...]
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space. The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage. Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world? What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat. Space images offer a window onto distant worlds, but also materialize the extent of our ignorance, stimulating our desire to discover, feeding the fantasy of another form of life, but also scientific research, supporting the need to explore the abysses of our galaxy.
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space. The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's [...]
Since the first "views from above", taken from a balloon in the mid-19th century, fascination with aerial views has grown steadily, in tandem with technological advances and the conquest of space. The magnetism exerted by cosmic iconography oscillates between wonder and disquiet. Artists seize on aerial mapping technologies as tools of surveillance, or imagine what has yet to be observed, depicting in the process more or less optimistic visions of our planet and the omnipresent control systems that surround us, as witness Markel Redondo's works, archaeologies of a new type of ruin, or Leah Desmousseaux's clichés born of an immobile voyage. Representations of that which is not visible from our own point of view fuel both hopes and fears. Blaise Schwartz asks us: are we strangers to our own world? What is invisible arouses curiosity and leaves potential room for a new apprehension of space, as illustrated by Yannis Khannoussi. But the unknown remains a threat. Space images offer a window onto distant worlds, but also materialize the extent of our ignorance, stimulating our desire to discover, feeding the fantasy of another form of life, but also scientific research, supporting the need to explore the abysses of our galaxy.

STARTER

NEW PERSPECTIVES

This selection aims to highlight, in the most respectful way possible, an artistic and activist presence that offers new perspectives, in particular a generation of LGBTQIA+ artists whose practices are seizing on societal issues.
Through their work, these artists convey values of inclusion, witness and respect for difference.
The selected works explore shifting identities in both discourse and form, illustrate dreams and inspirations, raise awareness of sexual and gender discrimination, challenge heteronormative and cisgender models, and above all reject injunctions to fit into boxes.
This selection aims to highlight, in the most respectful way possible, an artistic and activist presence that offers new perspectives, in particular a generation of LGBTQIA+ artists whose practices are seizing on societal issues.
Through their work, these artists convey values of inclusion, witness and respect for difference.
The selected works explore shifting identities in both discourse and form, illustrate dreams and inspirations, raise awareness of sexual and gender discrimination, challenge heteronormative and cisgender models, and above all reject injunctions to fit into boxes.

SONIA PERRIN

COUPS DE ❤️ PARIS+ BY ART BASEL

Paris+ by Art Basel opens the doors to its second Parisian edition at the Grand Palais Éphémère from Thursday October 19 to Sunday October 22, 2023, helping to anchor Paris among the world's top 4 art market capitals. This artistic dynamism is reflected in the very large number of galleries in France (over 2,000 this year) and the growing number of foreign galleries setting up in the country. The exceptional range of museums and private foundations also contributes to positioning Paris as the home of an artistic offering that is unique in the world.
Paris+ by Art Basel opens the doors to its second Parisian edition at the Grand Palais Éphémère from Thursday October 19 to Sunday October 22, 2023, helping to anchor Paris among the world's top 4 art market capitals. This artistic dynamism is reflected in the very large number of galleries in France (over 2,000 this year) and the growing number of foreign galleries setting up in the country. The exceptional range of museums and private foundations also contributes to positioning Paris as the home of an artistic offering that is unique in the world.

ArtMajeur

アート愛好家やコレクター向けのニュースレターを受け取る