Eight Trumps (2024) 绘画 由 Qinglu Liu (Lukas)

油在木上, 78.7x94.5 in
US$36,800

卖家 Qinglu Liu (Lukas)

美术纸, 8x11 in

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  • 原创艺术品 (One Of A Kind) 绘画, 在木上
  • 外形尺寸 79.5x95.3 in
    单独工作的尺寸,不带框架: 高度 78.7in, 宽度 94.5in
  • 艺术品状况 艺术品完好无损
  • 是否含画框 这件作品是诬陷
  • 分类 画作 从US$20,000 超现实主义 政治
If you are not on the table, you will be on the menu. 关于这件艺术品: 分类, 技术技巧 & 款式. 油. 由与亚麻子油或康乃馨结合的颜料组成的油漆。传统技术是将越来越富油的油漆层叠加在一起,形成坚固耐用的衣架。. 超现实主义. 它由作家安德烈·布雷顿(AndréBreton)于1923年创立,它将团结许多艺术家,如萨尔瓦多·达利(Salvador Dali)(1904-1989),马克斯·恩斯特(Max Ernst),勒内·马格利特(RenéMagritte)(1898-1967),维克托·布劳纳(Victor Brauner)(1903-1966)。在心理分析的影响下,他们将心理生活视为更新艺术的新领域。他们将开发新方法来创建和使用新材料。. [...]
If you are not on the table, you will be on the menu.

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My work is deeply rooted in the exploration of identity, culture, and the intersection of the natural and the digital. My artistic journey began in my early years, influenced by a fascination with both traditional [...]

My work is deeply rooted in the exploration of identity, culture, and the intersection of the natural and the digital. My artistic journey began in my early years, influenced by a fascination with both traditional and modern forms of expression. Growing up in China and living in Dubai for 10 years, I was drawn to the contrasts between Eastern philosophies and Western ideologies, which became a central theme in my work.

My style is often characterized by surreal and symbolic imagery, blending elements of pop culture, science fiction, and Eastern iconography. The recurring figures in my work—such as the Penguin and the Astronaut Deer—serve as metaphors for the human condition, questioning our place in a rapidly changing world. These characters, while playful and whimsical, reflect deeper themes of isolation, exploration, and the search for meaning in an increasingly complex society.

Over the years, I’ve honed a unique visual language that balances the abstract and the figurative, merging traditional techniques with contemporary digital media. My use of vibrant colors and dynamic compositions is intended to provoke thought and evoke emotional responses, inviting viewers to reflect on their own experiences and the broader global narrative.

At the heart of my practice is a desire to bridge cultural divides, creating works that speak to both local and global audiences. I am particularly interested in how art can transcend geographical boundaries, bringing people together through shared human experiences. Whether through painting, digital art, or mixed media, my work is a continuous conversation with both the past and the future, the tangible and the intangible.

Throughout my career, I have been constantly evolving, learning from each new project and each new encounter with my audience. My work is never static; it grows and shifts in response to the world around me, pushing the boundaries of my creativity while remaining anchored in my core beliefs and values. Ultimately, I see my art as a journey—a way to explore the ever-changing landscape of human existence, both personal and collective.

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