© 1999 Vjacheslav Illjashenko
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Sufi pilgrimage (1999) 印花与版画 由 Vjacheslav Illjashenko
印花与版画在纸上, 11.4x11 in
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这件艺术品出现在3集
-
限量版 (#12/45)
印花与版画,
蚀刻
/
纸
在纸上
- 外形尺寸 高度 11.4in, 宽度 11in
- 是否含画框 此作品未装裱
- 分类 版画 低于US$500 形象艺术
Etching
The term etching can cover a variety of techniques, but usually refers to the corrosion of a metal plate using acid to produce a line. My etchings follow a very traditional method.
Preparing the plates.
I clean my copper plate using ammonia and whiting to remove all the grease, i then paint sugar lift on to each plate[...]
Etching
The term etching can cover a variety of techniques, but usually refers to the corrosion of a metal plate using acid to produce a line. My etchings follow a very traditional method.
Preparing the plates.
I clean my copper plate using ammonia and whiting to remove all the grease, i then paint sugar lift on to each plate to create the images i want to etch. A liquid varnish is then poured over the design and once that has set, i rub away the sugar lift solution. I am then left with the line i have created with the sugar lift. I am then ready to aquatint my plate.
Aquatint.
Here i am using the aquatint to create my etching. I apply a fine dust called rosin made traditionally from pine resin to each plate. A cloud of resin is created in a large box using a paddle, then as the fine dust falls I put in my plates. Like snow, the resin settles on to the copper and without disturbing the dust the plates are removed from the box. Using a blow torch to heat the under side of the metal, the resin is melted onto each plate. When the plates are placed in the acid bath, the unprotected copper is eaten away, leaving the tiny protected dots of the aquatint untouched. The longer the plate is left in the acid, the darker the tint.
The term etching can cover a variety of techniques, but usually refers to the corrosion of a metal plate using acid to produce a line. My etchings follow a very traditional method.
Preparing the plates.
I clean my copper plate using ammonia and whiting to remove all the grease, i then paint sugar lift on to each plate to create the images i want to etch. A liquid varnish is then poured over the design and once that has set, i rub away the sugar lift solution. I am then left with the line i have created with the sugar lift. I am then ready to aquatint my plate.
Aquatint.
Here i am using the aquatint to create my etching. I apply a fine dust called rosin made traditionally from pine resin to each plate. A cloud of resin is created in a large box using a paddle, then as the fine dust falls I put in my plates. Like snow, the resin settles on to the copper and without disturbing the dust the plates are removed from the box. Using a blow torch to heat the under side of the metal, the resin is melted onto each plate. When the plates are placed in the acid bath, the unprotected copper is eaten away, leaving the tiny protected dots of the aquatint untouched. The longer the plate is left in the acid, the darker the tint.
相关主题
EtchingOriginal ImageEtching On A Copper PlateContemporary PrintmakingFine Art Print