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Lillith Vase (2012) 雕塑 由 Patrizia Salles
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原创艺术品 (One Of A Kind)
雕塑,
镶嵌
/
玻璃
/
石
/
兵马俑
在其他基材上
- 外形尺寸 高度 20.5in, 宽度 15in / 8.00 kg
- 艺术品状况 艺术品完好无损
- 适合户外? 没有, 这件艺术品不能在户外展示
- 分类 雕塑作品 低于US$20,000 古典主义 世界文化
Lilith, “of the night” in Akkadian in ancient Assyria has many histories. In the Christian religion she is portrayed as Adam's rejected first wife, who was turned into a night demon for refusing to obey him. She is implied as rebellious, and as she traverses the globe her story today one of perpetual evolution.
The vase, made in the Caribbean illustrates how methods and tastes can traverse our earth, melding and influencing new. The work is both classic in design and contemporary in nature, a swirling design of black rock, glass and ceramics. Winds and oceans, life cycles — our earth in constant motion and interchange.
Created from coarse clay, the base was fired in the traditional island manner of Nevis (St. Kitts & Nevis, West Indies) using coconut husks in an open fire-pit. The mosaic contains black river rock and slate, granite, ceramic and glass all finished with a virtually indestructible cement-based grout.
Fourth in the series, Lilith is sister to a white mosaic water pitcher.
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Born in Bordeaux, France, by the age of six Patrizia had crisscrossed three continents. At age seven Patrizia was creating geometric abstracts in oil pastels. School years saw Patrizia the recipient of numerous art prizes, culminating in a Gold — National Scholastic Key Award in New York. She graduated Magna Cum Laude in graphic design at Art Institute of Atlanta and spent 25 years in marketing and communications at the helm of a top Houston, Texas design firm. In 2000 Patrizia returned to her art full time, opening a Caribbean studio in 2005.
Patrizia's art is found in museums, public gardens and private collections across the globe. Her largest commission: a 12 sqm (35 sql) mosaic swimming pool overlooking the Caribbean waters. Her art is showcased in "Mosaic Art Today", a fine art book featuring top international artists, Schiffer Publishing, NY. Patrizia relocated to Italy in 2016 seeking new influences and further artistic growth. She opened at the Ligurian State Museum marventimiglia.com with "Madre Terra: In our Hands" in the summer of 2019. The three-month solo show featured 27 paintings and three large statues.
Her life and art, a divide between "Old World" and "New World" examines cultural differences, spirituality and beliefs, interpretations of past influences, societal change and interchange. Her lighter and brighter works reflect beauty, hope and a gratefulness to nature — motion and texture playing an important part in her creations. The plight of women and humanity in our contemporary culture is also a focus in Patrizia's work, "those who live a life they did not choose — of freedom in absentia."
Today, Patrizia continues her studied in ancient civilizations and archeology, a passion acquired during her years living and travel in the Mediterranean and Texas . . . and her journey of exploration and diversity continues — of place, culture and time.
