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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
丙烯
在帆布上
- 外形尺寸 高度 59.1in, 宽度 45.7in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$20,000 古典主义 女性肖像
Etruscan deity, bitchy gaze can we demand respect! Aphrodite goddess of love, beauty and desire, smart and wise. Mother Earth dances in the bottom left corner. Features textile arts, a dying feminine art.
Painting first appeared in 2018 on the Italian Riviera solo show in Bordighera Alta, then in 2019 Madre Terra: Nelle Nostre Mani / Mother Earth: In Our Hands. Showing again in 2021 " I sono / I am me" solo show at the Studio d'Arte Galley in Bordighera where it sold.
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Born in Bordeaux, France, by the age of six Patrizia had crisscrossed three continents. At age seven Patrizia was creating geometric abstracts in oil pastels. School years saw Patrizia the recipient of numerous art prizes, culminating in a Gold — National Scholastic Key Award in New York. She graduated Magna Cum Laude in graphic design at Art Institute of Atlanta and spent 25 years in marketing and communications at the helm of a top Houston, Texas design firm. In 2000 Patrizia returned to her art full time, opening a Caribbean studio in 2005.
Patrizia's art is found in museums, public gardens and private collections across the globe. Her largest commission: a 12 sqm (35 sql) mosaic swimming pool overlooking the Caribbean waters. Her art is showcased in "Mosaic Art Today", a fine art book featuring top international artists, Schiffer Publishing, NY. Patrizia relocated to Italy in 2016 seeking new influences and further artistic growth. She opened at the Ligurian State Museum marventimiglia.com with "Madre Terra: In our Hands" in the summer of 2019. The three-month solo show featured 27 paintings and three large statues.
Her life and art, a divide between "Old World" and "New World" examines cultural differences, spirituality and beliefs, interpretations of past influences, societal change and interchange. Her lighter and brighter works reflect beauty, hope and a gratefulness to nature — motion and texture playing an important part in her creations. The plight of women and humanity in our contemporary culture is also a focus in Patrizia's work, "those who live a life they did not choose — of freedom in absentia."
Today, Patrizia continues her studied in ancient civilizations and archeology, a passion acquired during her years living and travel in the Mediterranean and Texas . . . and her journey of exploration and diversity continues — of place, culture and time.
