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Sphère, 2025, Sculpture, Pascal Courcelles (2025) 雕塑 由 Pascal Courcelles
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原创艺术品 (One Of A Kind)
雕塑,
铸件
在其他基材上
- 外形尺寸 高度 17.7in, 宽度 17.7in / 15.00 kg
- 艺术品状况 艺术品完好无损
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- 分类 雕塑作品 低于US$20,000 抽象主义 丰富多彩的
Mixed media on preformed structure, edition 1/1
Ø 45 cm / 17.7 in
Unique piece – signed by the artist
The artwork “Sphère” (2025) by Pascal Courcelles is a true painting-sculpture — a three-dimensional fusion of gesture, material, and color. This vibrant sphere is a unique composition, where painting ceases to be merely a surface and becomes volume, body, presence.
Molded onto a spherical structure and coated with dense layers of paint and matter, the work exudes an almost cosmic energy. Viewed from different angles, its surface pulses with hues of blue, red, green, yellow, and white, applied with expressive and spontaneous gestures. Every centimeter reveals micro-constellations of color and texture that shift with light and perspective.
“Sphère” is a unique pictorial sculpture — edition 1/1 — representing new territory in Courcelles’ practice. Known for his canvases rich in texture and chromatic intensity, the artist brings his visual language into a three-dimensional object. This work is not a variation of a previous piece: it is singular, without replica or edition.
This sculpture challenges the boundaries between painting and object. By fully enveloping the structure, Courcelles invites the viewer to move around it, observe it, and experience it immersively. With a solid international career, the artist demonstrates here his mastery of materials and his continuous drive for experimentation.
In perfect condition, “Sphère” is dense, tactile, and striking. The generously applied paint gives it a commanding presence without being excessive. It can be displayed on a pedestal or a custom base, adapting to contemporary environments, galleries, or private collections.
Ideal for those who appreciate works that merge painting and sculpture, gesture and form, “Sphère” is a statement piece: a fragment of Courcelles’ poetic universe encapsulated in a planetary form. A work that is not only seen but felt — from every angle.
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Born in Brussels in 1956, Courcelles studied art at the Institut Saint-Luc in Brussels and in
Tournai, between 1972 and 1979. Since then, he has built a vibrant artistic path, with solo and
group exhibitions across Belgium, Italy, Japan, Lebanon, and beyond. But it is his visual language
that leaves the deepest impression: profoundly sensorial, composed of layers, material, and color,
not as an end, but as a process.
His painting is part of a material lineage, where comparisons have been made with Michel Frère
or even Eugène Leroy. But unlike Leroy, whose brushstroke carried a nearly tragic pathos,
Courcelles paints from a vital impulse, in celebration of life. With each gesture bursts forth the joy
of color, the pleasure of chromatic vibration. His admiration for Riopelle is clear: both artists
explore the interweaving and layering of color, often in their pure state, explosive, like emotional
fireworks.
The work of Pascal Courcelles does not ask to be understood — it asks to be felt. It is vibration,
intuition, pleasure. And above all, it is a celebration of what is most simple and most essential: the
joy of painting.
