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Fleur (2025) 绘画 由 Pascal Courcelles
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原创艺术品 (One Of A Kind)
绘画,
油
/
丙烯
在木上
- 外形尺寸 高度 11.8in, 宽度 15.8in
- 艺术品状况 艺术品完好无损
- 分类 画作 低于US$20,000 抽象主义 丰富多彩的
Mixed media on wood, edition 1/1
30 × 40 cm (11.8 × 15.7 in)
Unique piece – signed and titled by the artist on the reverse
“Fleur” (2025) is a radiant and emotionally charged painting by Pascal Courcelles, part of his ongoing exploration of color, gesture, and material. Boldly sculptural and profoundly lyrical, this unique piece offers a contemporary take on floral subjects — not as botanical illustrations, but as expressive explosions of texture, color, and emotion.
At the center, a large pink and crimson blossom unfurls across a textured sea of cerulean blue. Surrounding it, lush strokes of green, yellow, and orange swirl like leaves caught in motion. The surface itself is alive with dimensionality — thick impastos and embedded materials that give the work a powerful tactile presence. This is not a flat painting, but a living composition where color emerges from the depth of matter.
“Fleur” is a one-of-a-kind creation (edition 1/1), made on a hand-prepared wooden support and signed on the reverse by the artist. The back of the work, fully painted and inscribed by Courcelles, reads “Hope Rose”, suggesting both the title’s poetic resonance and the emotional intent behind the piece. This direct intervention by the artist on both sides of the work adds to its authenticity and collectibility.
Courcelles’ work is internationally recognized for its materiality and depth. He transforms everyday subjects — like a flower — into something elemental and spiritual. This piece belongs to a recent cycle of paintings where organic forms, thick textures, and luminous pigments merge in total harmony. It is a singular gesture of beauty and strength.
In perfect condition, “Fleur” feels more like a painted relief than a traditional canvas. The paint has weight, volume, and movement — as if blooming directly from the surface. Even without framing, the edges are treated with care, and the work is ready to hang. Every angle reveals a new detail, from swirling brushwork to subtle tonal shifts, creating a constant sense of discovery.
This piece is ideal for collectors who are drawn to works that combine presence, poetic charge, and material boldness. “Fleur” brings nature into the realm of the abstract, offering an experience that is both meditative and intensely physical. It stands as a testament to Pascal Courcelles’ unique ability to make painting not only something we see, but something we feel.
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Born in Brussels in 1956, Courcelles studied art at the Institut Saint-Luc in Brussels and in
Tournai, between 1972 and 1979. Since then, he has built a vibrant artistic path, with solo and
group exhibitions across Belgium, Italy, Japan, Lebanon, and beyond. But it is his visual language
that leaves the deepest impression: profoundly sensorial, composed of layers, material, and color,
not as an end, but as a process.
His painting is part of a material lineage, where comparisons have been made with Michel Frère
or even Eugène Leroy. But unlike Leroy, whose brushstroke carried a nearly tragic pathos,
Courcelles paints from a vital impulse, in celebration of life. With each gesture bursts forth the joy
of color, the pleasure of chromatic vibration. His admiration for Riopelle is clear: both artists
explore the interweaving and layering of color, often in their pure state, explosive, like emotional
fireworks.
The work of Pascal Courcelles does not ask to be understood — it asks to be felt. It is vibration,
intuition, pleasure. And above all, it is a celebration of what is most simple and most essential: the
joy of painting.