Eat fugu fish (2024) 绘画 由 Oleg Kateryniuk

油在帆布上, 43.3x55.1 in
US$6,378.04
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安装在木质担架架上
The painting titled "Eat Fugu Fish" is a fascinating blend of surrealism and contemporary commentary. At first glance, the artwork portrays a young woman seated casually on a ledge, taking a selfie. She is dressed in loose green trousers and a white tank top, her modern aesthetic enhanced by her sunglasses and her hair tied in a sleek bun. The vibrant [...]
The painting titled "Eat Fugu Fish" is a fascinating blend of surrealism and contemporary commentary. At first glance, the artwork portrays a young woman seated casually on a ledge, taking a selfie. She is dressed in loose green trousers and a white tank top, her modern aesthetic enhanced by her sunglasses and her hair tied in a sleek bun. The vibrant blue sky forms the background, accentuating the sense of openness and airiness.However, the surreal elements quickly become evident. Surrounding the woman are several fugu fish — also known as pufferfish — floating inexplicably in midair. The fugu fish, with their distinct rounded bodies and sharp spines, are depicted in stunning detail, their presence both intriguing and unsettling. Interspersed among them are translucent jellyfish, further enhancing the surreal atmosphere.The title, "Eat Fugu Fish", is a nod to the delicacy and danger associated with the fugu fish, which is infamous for its toxicity if not prepared correctly. This juxtaposition of beauty, danger, and modern culture forms the crux of the painting’s deeper meaning.Through this work, the artist seems to comment on society's obsession with appearances, technology, and the pursuit of thrilling experiences. The act of taking a selfie symbolizes the desire to capture and share curated moments of perfection, while the presence of the fugu fish hints at the underlying risks and complexities of such pursuits. The surreal setting — with fish and jellyfish defying gravity — emphasizes the disconnect between reality and the idealized worlds often portrayed on social media.The color palette, dominated by shades of blue and green, exudes a sense of calm, yet the viewer cannot ignore the tension created by the fugu fish’s symbolic danger. The stark simplicity of the composition — with the woman sitting on a blank ledge against an endless sky — further isolates her, suggesting the isolation that often accompanies our digital lives.Ultimately, "Eat Fugu Fish" invites viewers to reflect on the balance between beauty and peril, the real and the fabricated, and the ephemeral nature of modern pursuits. It is a striking commentary on the risks we take, knowingly or unknowingly, in our quest for validation and excitement in an increasingly surreal and connected world.

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Oleg Kateryniuk
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Born on September 1, 1969 in the village of Krolivka, Popilnyanskyi district, Zhytomyr region.He received his first artistic skills at the Zhytomyr Art School under the guidance of the Honored Artist of Ukraine [...]

Born on September 1, 1969 in the village of Krolivka, Popilnyanskyi district, Zhytomyr region.He received his first artistic skills at the Zhytomyr Art School under the guidance of the Honored Artist of Ukraine Viktor Mykolayovych Shkurinsky.In 1986 he entered the Dnipropetrovsk State Art School named after Vuchetich at the art and pedagogical department.In 1991 he graduated from the Dnipropetrovsk State Art School, workshop of Hryhoriy Oleksandrovych Cherneta, and defended his diploma as an artist-teacher with the painting "Theatre" in 1991.In 1991-1992 he taught drawing, painting and composition at the Children's Art School No. 2 in Kryvyi Rih.In 1992, he entered the Ukrainian Academy of Arts and Architecture at the Faculty of Painting, Department of Restoration of Works of Monumental and Easel Painting.1995-96 academic year - study/internship at the University of Granada (Spain) at the Faculty of Fine Arts.In 1998, he graduated from the Ukrainian Academy of Arts and Architecture with honors, defending his restoration work on the 19th century canvas "The Disbelief of Thomas" and the large icon of Nicholas the Wonderworker (late 18th - early 19th centuries) from the Church of St. Nicholas, located in Kyiv on Podil.In 1998, after graduation, he remained to work at the Academy as a teaching master at the Restoration Department.In the same year, he tried to enter the Academy's Master's Program, but it didn't work out.. there were no places for the Restoration Department..Since 2000, he has worked for a long time as an artist-designer, graphic designer in international and Ukrainian companies (ALTA Eastern Europe, RA "Desyatka", Microsoft Ukraine, Corestone Group)Since 2018, he finally returned to painting.In May-June 2020, the first personal exhibition "Small Places" was held at the Museum of Ancient Pottery of the Vyshgorod National Reserve.In 2021, the work “Prayer for Venice” received the Laureate’s Diploma at the First International Triennial “In the Land of Gray Pearls” 2020-2021 (all-Ukrainian project-competition ART-NOVA, Kremenchuk)Since 2021, a member of the National Union of Artists of UkraineIn 2023, at the First International Triennial of Drawing “Glory to Ukraine” at the Central Art Center “White World”, the graphic work “Fate of War” received the MEDAL OF HONOR.I am married and have a son with my wife.

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