Rather it would be spring (2024) 绘画 由 Oleg Kateryniuk

油在帆布上, 59.1x43.3 in
US$5,678.93
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"Rather it would be spring" is a powerful oil painting that juxtaposes human vulnerability with a stark, almost desolate landscape. The composition features a gaunt, shirtless man standing in the foreground, his intense gaze directly engaging the viewer. His expression is one of profound determination mixed with a hint of melancholy, reflecting inner [...]
"Rather it would be spring" is a powerful oil painting that juxtaposes human vulnerability with a stark, almost desolate landscape. The composition features a gaunt, shirtless man standing in the foreground, his intense gaze directly engaging the viewer. His expression is one of profound determination mixed with a hint of melancholy, reflecting inner turmoil and resilience. The background is dominated by a muted palette of pinks and purples, creating an otherworldly, almost apocalyptic atmosphere. The sky is a gradient of soft pink transitioning into deeper purple hues, suggestive of either dawn or dusk. The scene is framed by a dense forest of dark, shadowy trees, which adds a sense of confinement and bleakness to the setting. Behind the figure, there are two structures that resemble traditional thatched-roof houses. These houses appear worn and abandoned, with smoke gently rising from one of the chimneys, indicating a lingering presence or a recent departure. The ground is sparse, with patches of dried grass and bare bushes, further emphasizing the harshness of the environment. In the midground, there are two anti-tank obstacles, which add an element of war and conflict to the scene. These obstacles serve as a stark reminder of the underlying tensions and struggles that are part of the man’s reality. "Rather it would be spring" is a deeply evocative painting that explores themes of survival, resilience, and the longing for renewal. The title itself suggests a yearning for change and the hope that comes with the arrival of spring. The man's defiant posture and intense gaze reflect a determination to endure despite the bleak surroundings. The juxtaposition of the human figure with the desolate landscape and war remnants can be interpreted as a commentary on the human condition, particularly in times of conflict and hardship. The painting invites viewers to reflect on their own experiences of struggle and hope, and the desire for a better, more peaceful future. This oil painting masterfully combines elements of realism and surrealism to create a poignant narrative. "Rather it would be spring" captures the essence of human endurance and the perpetual hope for renewal. The artist’s use of color, composition, and symbolism creates a powerful and thought-provoking piece that resonates on both an emotional and intellectual level.

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Oleg Kateryniuk 肖像
Oleg Kateryniuk
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Born on September 1, 1969 in the village of Krolivka, Popilnyanskyi district, Zhytomyr region.He received his first artistic skills at the Zhytomyr Art School under the guidance of the Honored Artist of Ukraine [...]

Born on September 1, 1969 in the village of Krolivka, Popilnyanskyi district, Zhytomyr region.He received his first artistic skills at the Zhytomyr Art School under the guidance of the Honored Artist of Ukraine Viktor Mykolayovych Shkurinsky.In 1986 he entered the Dnipropetrovsk State Art School named after Vuchetich at the art and pedagogical department.In 1991 he graduated from the Dnipropetrovsk State Art School, workshop of Hryhoriy Oleksandrovych Cherneta, and defended his diploma as an artist-teacher with the painting "Theatre" in 1991.In 1991-1992 he taught drawing, painting and composition at the Children's Art School No. 2 in Kryvyi Rih.In 1992, he entered the Ukrainian Academy of Arts and Architecture at the Faculty of Painting, Department of Restoration of Works of Monumental and Easel Painting.1995-96 academic year - study/internship at the University of Granada (Spain) at the Faculty of Fine Arts.In 1998, he graduated from the Ukrainian Academy of Arts and Architecture with honors, defending his restoration work on the 19th century canvas "The Disbelief of Thomas" and the large icon of Nicholas the Wonderworker (late 18th - early 19th centuries) from the Church of St. Nicholas, located in Kyiv on Podil.In 1998, after graduation, he remained to work at the Academy as a teaching master at the Restoration Department.In the same year, he tried to enter the Academy's Master's Program, but it didn't work out.. there were no places for the Restoration Department..Since 2000, he has worked for a long time as an artist-designer, graphic designer in international and Ukrainian companies (ALTA Eastern Europe, RA "Desyatka", Microsoft Ukraine, Corestone Group)Since 2018, he finally returned to painting.In May-June 2020, the first personal exhibition "Small Places" was held at the Museum of Ancient Pottery of the Vyshgorod National Reserve.In 2021, the work “Prayer for Venice” received the Laureate’s Diploma at the First International Triennial “In the Land of Gray Pearls” 2020-2021 (all-Ukrainian project-competition ART-NOVA, Kremenchuk)Since 2021, a member of the National Union of Artists of UkraineIn 2023, at the First International Triennial of Drawing “Glory to Ukraine” at the Central Art Center “White World”, the graphic work “Fate of War” received the MEDAL OF HONOR.I am married and have a son with my wife.

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