Cold Gulf Sream (2024) 绘画 由 Oleg Kateryniuk

油在帆布上, 49.2x63 in
US$8,513.34
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  • 原创艺术品 (One Of A Kind) 绘画, 油 在帆布上
  • 外形尺寸 高度 49.2in, 宽度 63in
  • 艺术品状况 艺术品完好无损
  • 是否含画框 此作品未装裱
  • 分类 画作 低于US$20,000 超现实主义 动物
The painting titled "Cold Gulf Stream" is a surreal and provocative depiction of nature, designed to evoke deep reflection and unease. Set in an expansive, snow-covered landscape, the composition features a group of penguins in the foreground, with a solitary polar bear in the background near a frozen waterway. However, the penguins are not merely [...]
The painting titled "Cold Gulf Stream" is a surreal and provocative depiction of nature, designed to evoke deep reflection and unease. Set in an expansive, snow-covered landscape, the composition features a group of penguins in the foreground, with a solitary polar bear in the background near a frozen waterway. However, the penguins are not merely standing on the ice — they are holding hand grenades on their feet instead of the eggs they would naturally protect in the wild. This unsettling twist transforms the painting from a simple Arctic scene into a powerful metaphor.The penguins, painted with lifelike precision, appear calm and composed despite the explosive objects at their feet. This surreal detail adds an ominous tension to the composition, symbolizing the intrusion of violence into the natural world. The grenades serve as a metaphor for humanity's destructive influence on wildlife, illustrating how even the most innocent and vulnerable creatures are not untouched by human conflict and technology. The penguins, creatures known for nurturing life, now unwittingly cradle symbols of destruction, highlighting the fragile balance between life and annihilation.In the background, the polar bear gazes across the icy expanse with an air of detachment and solemnity. Its isolation amplifies the painting's themes of disconnection and the unnatural state of the environment. The polar bear's separation from the penguins, who would never naturally share a habitat, underscores the deliberate surrealism of the scene. This choice invites viewers to ponder the artificiality of the setting and the broader impact of human actions on nature.The muted, icy palette of whites, blues, and greys creates a chilling atmosphere, reflecting the stark beauty and harshness of the Arctic. The artist's masterful use of light and shadow adds depth to the scene, enhancing its eerie and contemplative tone.Through "Cold Gulf Stream," the artist delivers a powerful commentary on humanity's impact on the natural world. The juxtaposition of penguins and grenades symbolizes the way violence and human interference permeate even the most untouched corners of the Earth. The painting challenges viewers to confront the consequences of their actions on the environment and the creatures that inhabit it. It is a haunting reminder of the fragile balance between life and destruction, urging us to reconsider our relationship with the planet and its ecosystems.

相关主题

Нео-РеализмПолюсЛьдинаПингвиныБелый Медведь

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超现实主义 нео-реализм полюс льдина пингвины белый медведь граната оружие социальный комментарий
艺术家表示Ukrainian Vintage
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Oleg Kateryniuk 肖像
Oleg Kateryniuk
乌克兰
Born on September 1, 1969 in the village of Krolivka, Popilnyanskyi district, Zhytomyr region.He received his first artistic skills at the Zhytomyr Art School under the guidance of the Honored Artist of Ukraine [...]

Born on September 1, 1969 in the village of Krolivka, Popilnyanskyi district, Zhytomyr region.He received his first artistic skills at the Zhytomyr Art School under the guidance of the Honored Artist of Ukraine Viktor Mykolayovych Shkurinsky.In 1986 he entered the Dnipropetrovsk State Art School named after Vuchetich at the art and pedagogical department.In 1991 he graduated from the Dnipropetrovsk State Art School, workshop of Hryhoriy Oleksandrovych Cherneta, and defended his diploma as an artist-teacher with the painting "Theatre" in 1991.In 1991-1992 he taught drawing, painting and composition at the Children's Art School No. 2 in Kryvyi Rih.In 1992, he entered the Ukrainian Academy of Arts and Architecture at the Faculty of Painting, Department of Restoration of Works of Monumental and Easel Painting.1995-96 academic year - study/internship at the University of Granada (Spain) at the Faculty of Fine Arts.In 1998, he graduated from the Ukrainian Academy of Arts and Architecture with honors, defending his restoration work on the 19th century canvas "The Disbelief of Thomas" and the large icon of Nicholas the Wonderworker (late 18th - early 19th centuries) from the Church of St. Nicholas, located in Kyiv on Podil.In 1998, after graduation, he remained to work at the Academy as a teaching master at the Restoration Department.In the same year, he tried to enter the Academy's Master's Program, but it didn't work out.. there were no places for the Restoration Department..Since 2000, he has worked for a long time as an artist-designer, graphic designer in international and Ukrainian companies (ALTA Eastern Europe, RA "Desyatka", Microsoft Ukraine, Corestone Group)Since 2018, he finally returned to painting.In May-June 2020, the first personal exhibition "Small Places" was held at the Museum of Ancient Pottery of the Vyshgorod National Reserve.In 2021, the work “Prayer for Venice” received the Laureate’s Diploma at the First International Triennial “In the Land of Gray Pearls” 2020-2021 (all-Ukrainian project-competition ART-NOVA, Kremenchuk)Since 2021, a member of the National Union of Artists of UkraineIn 2023, at the First International Triennial of Drawing “Glory to Ukraine” at the Central Art Center “White World”, the graphic work “Fate of War” received the MEDAL OF HONOR.I am married and have a son with my wife.

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