Big father's umbrella (2023) Pintura por Oleg Kateryniuk

Óleo em Tela, 49,2x39,4 in
US$ 6.854,01
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Montado em Armação em madeira
The oil painting "Big Father's Umbrella" captures a whimsical and slightly surreal moment, rich in narrative and emotional undertones. The central figure in the painting is a child, depicted from behind, walking away from the viewer. The child is dressed in an oversized burnt orange coat that appears several sizes too large, suggesting it may belong [...]
The oil painting "Big Father's Umbrella" captures a whimsical and slightly surreal moment, rich in narrative and emotional undertones. The central figure in the painting is a child, depicted from behind, walking away from the viewer. The child is dressed in an oversized burnt orange coat that appears several sizes too large, suggesting it may belong to an adult, possibly the child's father, as implied by the title. The child grasps a large, deep blue umbrella, which is closed and being dragged along the ground, its tip pointing backwards, creating a sense of movement. The umbrella's size and the way the child struggles with it further reinforce the idea that it belongs to an adult figure in the child's life. The child's posture and the burden of the umbrella convey a sense of responsibility or determination. In the background, three stylized elephants are depicted in a frieze-like manner, each one following the other. The elephants, traditionally symbols of wisdom and memory, could represent family lineage or the weight of heritage that the child carries. Beneath the elephants, the background is subtle and muted, textured in a way that suggests a wall or a backdrop, serving to highlight the main subjects without distraction. The use of a monochromatic scheme for this area enhances the dreamlike or imaginary quality of the scene. A delicate plant, depicted in front of the child, provides a contrast in both color and texture. Its leaves are finely detailed, and it seems to be touched by a light source that creates a subtle glow around its edges, adding a sense of magic or otherworldliness to the painting. The ground is softly illuminated by what appears to be a network of tiny lights or reflections, adding to the surreal atmosphere. These could be interpreted as stars, fireflies, or simply sparks of imagination. "Big Father's Umbrella" is a painting that evokes the themes of childhood, inheritance, protection, and the roles we grow into. It invites the viewer to reflect on their own journey and the legacies they carry with them. The choice of objects, the oversized coat, and the elephants speak to the universal experience of growing up under the influence of those who came before us.

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Born on September 1, 1969 in the village of Krolivka, Popilnyanskyi district, Zhytomyr region.He received his first artistic skills at the Zhytomyr Art School under the guidance of the Honored Artist of Ukraine [...]

Born on September 1, 1969 in the village of Krolivka, Popilnyanskyi district, Zhytomyr region.He received his first artistic skills at the Zhytomyr Art School under the guidance of the Honored Artist of Ukraine Viktor Mykolayovych Shkurinsky.In 1986 he entered the Dnipropetrovsk State Art School named after Vuchetich at the art and pedagogical department.In 1991 he graduated from the Dnipropetrovsk State Art School, workshop of Hryhoriy Oleksandrovych Cherneta, and defended his diploma as an artist-teacher with the painting "Theatre" in 1991.In 1991-1992 he taught drawing, painting and composition at the Children's Art School No. 2 in Kryvyi Rih.In 1992, he entered the Ukrainian Academy of Arts and Architecture at the Faculty of Painting, Department of Restoration of Works of Monumental and Easel Painting.1995-96 academic year - study/internship at the University of Granada (Spain) at the Faculty of Fine Arts.In 1998, he graduated from the Ukrainian Academy of Arts and Architecture with honors, defending his restoration work on the 19th century canvas "The Disbelief of Thomas" and the large icon of Nicholas the Wonderworker (late 18th - early 19th centuries) from the Church of St. Nicholas, located in Kyiv on Podil.In 1998, after graduation, he remained to work at the Academy as a teaching master at the Restoration Department.In the same year, he tried to enter the Academy's Master's Program, but it didn't work out.. there were no places for the Restoration Department..Since 2000, he has worked for a long time as an artist-designer, graphic designer in international and Ukrainian companies (ALTA Eastern Europe, RA "Desyatka", Microsoft Ukraine, Corestone Group)Since 2018, he finally returned to painting.In May-June 2020, the first personal exhibition "Small Places" was held at the Museum of Ancient Pottery of the Vyshgorod National Reserve.In 2021, the work “Prayer for Venice” received the Laureate’s Diploma at the First International Triennial “In the Land of Gray Pearls” 2020-2021 (all-Ukrainian project-competition ART-NOVA, Kremenchuk)Since 2021, a member of the National Union of Artists of UkraineIn 2023, at the First International Triennial of Drawing “Glory to Ukraine” at the Central Art Center “White World”, the graphic work “Fate of War” received the MEDAL OF HONOR.I am married and have a son with my wife.

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