卖家 Moti Bazak
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艺术图片银行Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC).
Since then and over the centuries the chair was a simbol of power and authority.
It has not become a common general object until the 16th century.
Today they are scattered all over....and some of them hardly see a bottom to get redeemed..
I collect some of them to give them new interpretation in my effort to transform the wood into a (kind of..) tree again.
相关主题
Statement; Recycled Wood Assemblages & installations
I was still a child when I had the existential realization that things are not right…and that they need a fixing. Years later, I am returning to that “need of fixing” in my creation; I am collecting discarded pieces of wood, metal, and paper that have finished their lives, been thrown away, and forgotten. Each piece holds its own unique morphology and hidden qualities; their individual colors, textures, bruises, and scratches whisper the stories about their past life. When the moment is just right, these different pieces of many origins become displaced and coalesce into a work of art. In a sense, they begin their “afterlife” within my work. This process of fixing and reviving has a comforting effect on me, a sense of which I am trying to pass on in my art.
Statement; Photography and Digital art
Since the inception of the “fixing” project, my 3D works of art have been craving an opportunity to leave the confines of the studio and do their tour of the world. The dislocation of my every day objects into new sets acts as a conduit for discovery, projecting beams of “invisible light” and revealing surprising angles of the scene. This “Crippled Parade” is a revelatory trajectory. It is my attempt to peek into the different, often elusive aspects of our existential experience.
