Miyasaka II (2013) デジタルアーツ Miyasaka によって

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  • オリジナルのアートワーク (One Of A Kind) デジタルアーツ, 紙の デジタル絵画
  • 寸法 高さ 27.6in, 幅 39.4in
  • アートワークの状態 アートワークは完璧な状態です
  • フレーミング このアートワークは額装されていません
  • カテゴリ デジタルアート $500未満 抽象芸術 抽象芸術
The technique of artist Miyasaka is digital painting. It is often said that a picture is worth a thousand words, but the following words help you to better understand the sensitivity and inspiration of the artist. "Nature is the source of fashion; it comes disguised as chaos; it radiates contrasts, colours and textures. It pursues an idea form[...]
The technique of artist Miyasaka is digital painting. It is often said that a picture is worth a thousand words, but the following words help you to better understand the sensitivity and inspiration of the artist. "Nature is the source of fashion; it comes disguised as chaos; it radiates contrasts, colours and textures. It pursues an idea form is the nature of universe. It's all around, offering itself to anyone who wants to take it away. The form wants to be perfect, pursues an idea, balances the chaos, turns into art. It's everywhere" (Miyasaka).

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The technique of artist Miyasaka is digital painting. It is often said that a picture is worth a thousand words, but the following words help you to better understand the sensitivity and inspiration of the[...]

The technique of artist Miyasaka is digital painting. It is often said that a picture is worth a thousand words, but the following words help you to better understand the sensitivity and inspiration of the artist. "Nature is the source of fashion; it comes disguised as chaos; it radiates contrasts, colours and textures. It pursues an idea form is the nature of universe. It's all around, offering itself to anyone who wants to take it away. The form wants to be perfect, pursues an idea, balances the chaos, turns into art. It's everywhere" (Miyasaka). Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art, are closely related terms. They are similar, but perhaps not of identical meaning.

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