Alle Kunstwerke von Minas Avetisyan
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Biografie
Biographie von Minas Avetisyan
Avetisyan Minas Karapetovich ist ein armenischer Maler, Grafiker, Theaterkünstler, ein armenischer Verdienter Künstler, der am 20. Juli 1928 im Dorf Jajur, Armenien, geboren wurde.
Minas studierte am Terlemezyan College of Fine Arts in Yerevan (1947–1952), Yerevan Fine Arts and Theatre Institute (1952–1954), Painting, Sculpture and Architecture Institution Ilya Repin namentlich in Leningrad (1955–1959), wo sein Hauptlehrer war war Boris Ioganson. Ab 1960 lebte Minas in Eriwan.
Seine erste Kunstgalerie fand 1960 statt, berühmt und bekannt wurde er jedoch 1962 nach der „Exhibition of Five“ in Eriwan. Zahlreiche Fachleute und Besucher der Ausstellung schätzten den etablierten Künstler von strahlender Individualität und seine Werke sehr.
Avetisians Werke, die sich durch scheinbar wilde Pinselführung und schrille Farben auszeichnen, gaben den Prinzipien des Fauvismus neues Leben. Sie können in seinen Werken auch einige Traditionen der Südkaukasus-Mittelabendkunst nachvollziehen. Seine Werke mit einer eigentümlichen Farbsättigung, die einem epischen Drama aus kühnen Formen, Naturbildern, Selbstporträts und symbolischen Landschaftsmotiven gegenüberstehen, wurden auf offiziellen Ausstellungen als Durchbruch zur Freiheit des ästhetischen Selbstausdrucks interpretiert. Damit näherte sich Avetisian dem zeitgenössischen russischen Rough-Stil, auch wenn er sich im Allgemeinen mehr nach der französischen Moderne und frühen Avantgarde des frühen 20. Jahrhunderts sehnte.
Minas war auch ein Erfolg als Theaterkünstler (Theaterbühnenbild von Khachaturians Gayane-Ballett im Opern- und Balletttheater von Spendiarov Name, 1974) und als Monumentalmaler (Fabrikinnenwandmalereien in Leninakan-Gjumri, 1970-1974).
Minas reiste viel durch Armenien, suchte nach historischen Denkmälern, studierte armenische Miniaturwerke und Werke der größten armenischen Künstler, in erster Linie von Martiros Saryan. Saryan war der geistige Vater von Minas. Der junge Künstler war ein echter Nachfolger des großen Künstlers und Symbol einer neuen Entwicklung der nationalen Malerei.
In Anlehnung an nationale Maltraditionen, unter Verwendung von Ausdrucksmitteln antiker Miniaturen und unter Berücksichtigung der Erfahrung berühmter Künstler war Minas dennoch nie ein blinder Kopierer. In seinen Werken spiegelte er die Realität wider, die er durch seine Lebenswahrnehmung und -interpretation gesehen hat.
Leider wurden viele seiner Gemälde 1972 niedergebrannt. Am 1. Januar während der Nacht, als Avetisyan mit seiner Familie in Jajur war, wurde sein Atelier in Eriwan zusammen mit den meisten seiner besten Leinwände verbrannt.
Drei Jahre später, 1975, starb Minas Avetisian unter den Rädern des Autos, das auf dem Bürgersteig stehen blieb. Und das Pech schien ihn auch nach seinem Tod zu verfolgen, als ein Teil seiner Wandmalereien während des Erdbebens in Leninakan (Gyumri) zerstört und das Museum von Minas Avetisian in seinem Heimatdorf Jajur dem Erdboden gleichgemacht wurde.
In Armenien wird der Name Minas Avetisian normalerweise liebevoll ausgesprochen. Er widmete sein ganzes (so tragisch kurzes) Leben der Bildenden Kunst. Zwischen 1960 und 1975 gelang es Minas, über 500 große und kleine Leinwände und fast die gleiche Menge an Zeichnungen, 20 großen Fresken und Designprojekten für Dutzende von Theateraufführungen zu schaffen.
Seine Werke werden im Heimatmuseum von Avetisian in Eriwan, im Museum für Moderne Kunst in Eriwan, in der Tretjakow-Galerie in Moskau, im Museum für orientalische Kunst in Moskau sowie in zahlreichen Privatsammlungen in Armenien, Russland und anderen Ländern vorgestellt.
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Nationalität:
ARMENIEN
- Geburtsdatum : 1928
- Künstlerische Domänen:
- Gruppen: Zeitgenössische Armenische Künstler
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Aktivität auf ArtMajeur
Letzte Änderungen am: 11.12.2017
(Mitglied seit 2015)
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Artworks by Minas Avetisyan wurde zu den Lieblingssammlungen hinzugefügt: 4
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Biography of Minas Avetisyan
http://minasavetisyan.weebly.com/
Avetisyan Minas Karapetovich is an Armenian painter, graphic artist, theatrical artist, an Armenian Honoured artist born in July 20, 1928 in the village of Jajur, Armenia.
Minas studied at Terlemezyan College of Fine Arts in Yerevan (1947–1952), Yerevan Fine Arts and Theater Institute (1952–1954), Painting, Sculpture and Architecture Institution Ilya Repin by name in Leningrad (1955–1959), where his main teacher was Boris Ioganson. From 1960 on Minas lived in Yerevan.
His first arts gallery took place in 1960, however, he got to be famous and known in 1962 after “Exhibition of Five” held in Yerevan. Numerous specialists and visitors to the exhibition appreciated greatly the well-established artist of bright individuality and his works.
Avetisian’s works characterized by seemingly wild brush work and strident colors gave new life to fauvism principles. You may as well easily trace some South Caucasus Middle Eve Arts traditions in his works. His works having a peculiar color saturation juxtaposed with an epic drama of bold shapes, nature paintings, self-portraits, symbolic countryside motives were interpreted at official exhibitions as a breakthrough to the freedom of esthetical self-expression. By this Avetisian got closer to the contemporary Russian rough style, even though in general he longed more to the French modern and early avant-garde style of early 20th.
Minas was also a success as a theatrical artist (theatre set design of Khachaturian's Gayane ballet at Opera and Ballet Theatre by Spendiarov Name, 1974) and as a monumental painter (factory interior wall-paintings in Leninakan- Gyumri, 1970-1974).
Minas travelled a lot around Armenia, searching for historical monuments, studying Armenian miniature works and works of the greatest Armenian artists, of Martiros Saryan in the first place. Saryan was Minas’s spiritual father. The young artist was a genuine successor of the great artist’s work and a symbol of a new development of national painting.
Following national traditions in painting, using means of expression found in ancient miniatures and considering the experience of famous artists, Minas, nevertheless, was never a blind copier. In his works he reflected the reality seen through his life perception and interpretation.
Unfortunately, many of his paintings were burned down in fire in 1972. In January 1 during the night time, while Avetisyan was in Jajur with his family, his studio in Yerevan was burned along with most of his best canvases.
Three years later, in 1975 Minas Avetisian died under the wheels of the car, which stopped off at the sidewalk. And the bad luck seemed to pursue him even after his death when part of his wall-paintings were destroyed during the earthquake in Leninakan (Gyumri) and razed to the ground Minas Avetisian’s museum in his native Jajur village.
In Armenia the name of Minas Avetisian is normally pronounced with affection. He committed his whole life (so tragically short) to Fine Arts. During 1960-1975 Minas managed to create over 500 canvases, big and small, and nearly the same amount of drawings, 20 big fresco’s and design projects for dozens of theatrical performances.
His works are introduced at Avetisian’s Home-Museum in Yerevan, Modern Arts Museum in Yerevan, Tretyakov Gallery in Moscow, Museum of Oriental Art in Moscow, as well as at numerous private collections in Armenia, Russia and other countries.
Hinzugefügt am 06.08.2015
Avetisian Minas Karapetovich is an Armenian painter, graphic artist, theatrical artist, an Armenian Honoured artist born in July 20, 1928 in the village of Jajur, Armenia.
Minas studied at Terlemezyan College of Fine Arts in Yerevan (1947–1952), Yerevan Fine Arts and Theater Institute (1952–1954), Painting, Sculpture and Architecture Institution Ilya Repin by name in Leningrad (1955–1959), where his main teacher was Boris Ioganson. From 1960 on Minas lived in Yerevan.
His first arts gallery took place in 1960, however, he got to be famous and known in 1962 after “Exhibition of Five” held in Yerevan. Numerous specialists and visitors to the exhibition appreciated greatly the well-established artist of bright individuality and his works.
Avetisian’s works characterized by seemingly wild brush work and strident colors gave new life to fauvism principles. You may as well easily trace some South Caucasus Middle Eve Arts traditions in his works. His works having a peculiar color saturation juxtaposed with an epic drama of bold shapes, nature paintings, self-portraits, symbolic countryside motives were interpreted at official exhibitions as a breakthrough to the freedom of esthetical self-expression. By this Avetisian got closer to the contemporary Russian rough style, even though in general he longed more to the French modern and early avant-garde style of early 20th.
Minas was also a success as a theatrical artist (theatre set design of Khachaturian's Gayane ballet at Opera and Ballet Theatre by Spendiarov Name, 1974) and as a monumental painter (factory interior wall-paintings in Leninakan- Gyumri, 1970-1974).
Minas travelled a lot around Armenia, searching for historical monuments, studying Armenian miniature works and works of the greatest Armenian artists, of Martiros Saryan in the first place. Saryan was Minas’s spiritual father. The young artist was a genuine successor of the great artist’s work and a symbol of a new development of national painting.
Following national traditions in painting, using means of expression found in ancient miniatures and considering the experience of famous artists, Minas, nevertheless, was never a blind copier. In his works he reflected the reality seen through his life perception and interpretation.
Unfortunately, many of his paintings were burned down in fire in 1972. In January 1 during the night time, while Avetisyan was in Jajur with his family, his studio in Yerevan was burned along with most of his best canvases.
Three years later, in 1975 Minas Avetisian died under the wheels of the car, which stopped off at the sidewalk. And the bad luck seemed to pursue him even after his death when part of his wall-paintings were destroyed during the earthquake in Leninakan (Gyumri) and razed to the ground Minas Avetisian’s museum in his native Jajur village.
In Armenia the name of Minas Avetisian is normally pronounced with affection. He committed his whole life (so tragically short) to Fine Arts. During 1960-1975 Minas managed to create over 500 canvases, big and small, and nearly the same amount of drawings, 20 big fresco’s and design projects for dozens of theatrical performances.
His works are introduced at Avetisian’s Home-Museum in Yerevan, Modern Arts Museum in Yerevan, Tretyakov Gallery in Moscow, Museum of Oriental Art in Moscow, as well as at numerous private collections in Armenia, Russia and other countries.
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