Seasons (2022) 雕塑 由 Oly Miltys

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The composition is based on the contrast of large archaic figures, which serve as pillars culture and traditions on the one hand, and the loud figures of contemporaries, who nolens volens are the carriers of these traditional values, character, and mentality. Large figures represent the seasons and age, serving as symbols of seasonal changes in nature[...]
The composition is based on the contrast of large archaic figures, which serve as pillars culture and traditions on the one hand, and the loud figures of contemporaries, who nolens volens are the carriers of these traditional values, character, and mentality. Large figures represent the seasons and age, serving as symbols of seasonal changes in nature and changing ages of human life. Nature and geography have a huge impact on mentality, and age – on acceptance and understanding of cultural code. How and when does cultural identity occur? What affects the transmission of this code? Can we move forward without destroying traditional values, or is this process inevitable? Do we need to manage it? Or shall we rely on evolutionary development?
The exposition calls to pose questions about our heritage, cultural identity, the meaning of culture, in our lives.
Cultural identity.
“Self-awareness of belonging to a particular cultural community through self-identification with its cultural patterns. Cultural identity is shaped as a result of overlaying of different cultural influences, to which an individual is susceptible.” Wikipedia

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SeasonsWomanPeasant WomanModelTradition

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Olga Myltseva 是一位居住在塞尔维亚的当代雕塑家。她的主要工作领域是具象陶瓷雕塑。陶瓷艺术以其可塑性以及可以同时使用颜色和形状的可能性吸引了她。 Myltseva 在她的作品中喜欢使用材料的质感来增强形象。在使用陶瓷、瓷器、釉料和黄金时,她正在尝试各种风格,尝试材料,并尝试不同的技术。她总是受到烧制粘土所能提供的美感的启发。对她来说,与陶瓷一起工作本质上是一种深刻的哲学练习;你使用的材料不会永远老化,同时又像人的生命一样脆弱。[...]

Olga Myltseva 是一位居住在塞尔维亚的当代雕塑家。她的主要工作领域是具象陶瓷雕塑。陶瓷艺术以其可塑性以及可以同时使用颜色和形状的可能性吸引了她。 Myltseva 在她的作品中喜欢使用材料的质感来增强形象。在使用陶瓷、瓷器、釉料和黄金时,她正在尝试各种风格,尝试材料,并尝试不同的技术。她总是受到烧制粘土所能提供的美感的启发。对她来说,与陶瓷一起工作本质上是一种深刻的哲学练习;你使用的材料不会永远老化,同时又像人的生命一样脆弱。

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