Born in Rotterdam the Netherlands 1949 Academy for modern arts, Willem de Kooning academy in Rotterdam 1965-1970 Education of art teaching Academie of Rotterdam 1975-1978
Throughout the years I have developed my own style of painting, making use of the old master painting techniques and aim to produce work with precision and clarity. My paintings do not contain rough strokes nor overexposed emotions. I focus on pure forms, intently observed which are exposed in daylight. I am fascinated by the colour spectrum, shadows and the accuracy of objects in order to obtain clarity and how the visual enticement works. There is a mysterious air depicting my 'still lives' by placing them in an overexposed manner in the desolate countryside. At first glance these still lives are no more than single objects viewed in a normal situation but in fact I aim to define a possible reality surrounding the objects. The still life for me is in fact a manner of expression to explain my global views as painter to the viewer. I can change the reality of the subject matter I have chosen to paint and therefore I look upon my work as magic realism.
Ontdek hedendaagse kunstwerken van Marijke Munne, blader door recente kunstwerken en koop online.
Categorieën: hedendaagse franse kunstenaars.
Artistieke domeinen:
Schilderij.
Type account:
Kunstenaar,
lid sinds 2023 (Land van herkomst Nederland).
Koop de nieuwste werken van Marijke Munne op Artmajeur:
Ontdek de prachtige werken van de hedendaagse kunstenaar Marijke Munne. Blader door kunstwerken, koop originele werken of hoge kwaliteit prints.
Artiest Waarde, Biografie, Studio van de kunstenaar:
Bekroond
De kunstenaar heeft prijzen en onderscheidingen gewonnen
Keuze van de redactie
De werken van de kunstenaar zijn opgemerkt door de redactie
Biografie
Born in Rotterdam the Netherlands 1949 Academy for modern arts, Willem de Kooning academy in Rotterdam 1965-1970 Education of art teaching Academie of Rotterdam 1975-1978
Throughout the years I have developed my own style of painting, making use of the old master painting techniques and aim to produce work with precision and clarity. My paintings do not contain rough strokes nor overexposed emotions. I focus on pure forms, intently observed which are exposed in daylight. I am fascinated by the colour spectrum, shadows and the accuracy of objects in order to obtain clarity and how the visual enticement works. There is a mysterious air depicting my 'still lives' by placing them in an overexposed manner in the desolate countryside. At first glance these still lives are no more than single objects viewed in a normal situation but in fact I aim to define a possible reality surrounding the objects. The still life for me is in fact a manner of expression to explain my global views as painter to the viewer. I can change the reality of the subject matter I have chosen to paint and therefore I look upon my work as magic realism.