City in Dissolution (2010) 絵画 Lynda Rosemarie Stevens によって

非売品

販売者 Lynda Rosemarie Stevens

ファインアート紙, 12x8 in
Abstract mixed-media piece on canvas usimg acrylic, wax, gypsum, textile fragments and metal foil. This shows a cityscape, with the theme being demolition - landmarks can be very ephemeral in nature, and the main features of a city can quickly become unrecognisable in time. この作品について: 分類, テクニック & スタイル. アクリル. 合成樹脂と混合した従来の顔料を使用してペイントします。. エナメル. 溶融ガラス粉末と酸化物で作られた塗料。次に、エナメルを蒸留水と混合して塗布します。ペーストが得られるまで酸化物をごくわずかなガラスと油と混合することからなるガラス化可能なエナメルの形態があります。その後、絵画として適用されます。. [...]
Abstract mixed-media piece on canvas usimg acrylic, wax, gypsum, textile fragments and metal foil. This shows a cityscape, with the theme being demolition - landmarks can be very ephemeral in nature, and the main features of a city can quickly become unrecognisable in time.

関連テーマ

SkylineDemolitionCityscapeBuildingsMixed-Media

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I was born in the UK but since 1996 have lived and worked in Budapest, Hungary, and I now have Hungarian as well as British citizenship. I began my creative path at the age of 19 and to begin with was totally [...]

I was born in the UK but since 1996 have lived and worked in Budapest, Hungary, and I now have Hungarian as well as British citizenship. I began my creative path at the age of 19 and to begin with was totally self-taught and it was always the aim to let images and impressions from within come more or less spontaneously. For me, the whole process has always represented a kind of 'soul work.' In the 1980's however, I did attend two fairly rigorous two-year part-time courses - the one diploma in painting at leamington College of FE and a Certificate in Craft Materials at Coventry University. These introduced me to several new techniques and a deeper understanding of art history.

I work mainly with mixed-media pieces on board using an array of material ranging from glass fragments, fabric pieces and wax. I am fascinated by materials that reflect and use a myriad of gold hues, silvers and luminescents against matt backgrounds.

I also create mixed-media paper collages, again, usually in A4 size. In these, I tend to employ a bastardised marbling technique for the background and then work into each composition using ink pen, gel pens, metal flakes and fragments of other paper, or materials with either holographic or luminescent surfaces.

Several pieces of mine are represented by the Szentendre-based, virtual MiDo Galéria.

I am actively involved in the alternative Budapest art scene, currently being a member of Művész Terem, through which there are yearly opportunities to exhibit, and where I also have a page showing ten of my works. I am also part of a well-established life drawing group, through which I have had the opportunity twice now to participate in two group exhibitions at prestigious venues.

Whilst in Coventry, England in the late 80's and early 90s, I exhibited regularly with an assorted group of artists called the 'Dream Illustrators' based near the city centre, as well as putting on solo exhibitons. I also lived in Brighton from 1994-1996 and exhibited with the Best Cave Gallery in several group exhibitions.

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