“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
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关于我们的优良打印-
该作品是“开放版”
数字艺术,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 分类 形象艺术 历史
Laura Cadei is an italian civil lawyer whose passion for painting, developed from a very young age, has led her to pursue her artistic vocation in her free time, as a completely self-taught artist.
The main theme of her artistic production is Time. Her art translates into the need to paint historical and legendary places, monuments, and cities, all imagined in their ancient splendor before time transformed them into mere ruins. In these solitary places, time is suspended in an eternal present, the very moment in which the protagonists of the paintings, sometimes anachronistically, admire the space in which they are immersed. In the same instant are placed the paintings with naturalistic themes, where the seasons crystallize, simultaneously and in unison, in eternity. With her art, the artist wants to honor the great civilizations of the past and the heritage they have handed down, of which we are all universal heirs, where their traditions, lifestyles, languages, and signs are still alive and present among the foundations of our own existence. Time is therefore not experienced as a tyrant but as an absolute positive value, a dimension that allows dialogue between the most remote past and our present so that the teachings of History serve as a valuable guide to orient our future.
However, the places represented by her art are not only locations but also stages of a personal journey, indicated by the dual titles of some works: each painting represents for her a memory of her life, a piece of her history, a symbol of her path, and it is for this reason that, observing these silent architectures, some can feel a sort of nostalgia. It is a dreamlike, unreal, deeply personal journey that unfolds through the labyrinth of the history of her life and the History of our world, like in a gigantic Memory Palace.
The technique used is varied and multifaceted, ranging from acrylic, gouache, ink, to digital, especially in relation to the first historical paintings. Her art is inspired by the great Renaissance masters of the past and their paintings on the theme of “ideal cities,” as well as the great production of Piranesi and the metaphysics of De Chirico.
Each painting is carefully studied architecturally beforehand to faithfully reflect (with some artistic license) the actual style of the era in terms of historical reconstruction, sometimes even with the direct help of historians and archaeologists.
Laura Cadei, both as an artist and as a lawyer, has also collaborated and currently collaborates with public institutions and private projects, even internationally, to enhance and protect cultural heritage.
