Colosseum - The fight (2023) 绘画 由 Laura Cadei

不出售

卖家 Laura Cadei

美术纸, 11x8 in
  • 原创艺术品 绘画, 水粉 在纸上
  • 外形尺寸 尺寸可根据要求提供
  • 是否含画框 此作品未装裱
  • 分类 形象艺术 历史
The Colosseum, an iconic Roman amphitheater built in the 1st century AD by Emperor Vespasian of the Flavian dynasty, is renowned for its grand scale and historical gladiatorial combats. 关于这件艺术品: 分类, 技术技巧 & 款式. 水粉. 用水稀释这些物质,并通过添加口香糖和蜂蜜使它们呈糊状和不透明。颜色变得不透明,因此可以叠加,从而形成一种带有水粉颜料的颜料和带有油的颜料。水粉因其明亮,新鲜和细腻的色调而被推荐。. 形象艺术. 具象色彩的绘画自由地包括了各种形式的艺术,而没有文化体裁和地理起源的边界,在高级文化与亚文化之间没有等级的价值。. [...]
The Colosseum, an iconic Roman amphitheater built in the 1st century AD by Emperor Vespasian of the Flavian dynasty, is renowned for its grand scale and historical gladiatorial combats.

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RomeColosseumAncientromeHistoryArcheology

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Laura Cadei is an italian civil lawyer whose passion for painting, developed from a very young age, has led her to pursue her artistic vocation in her free time, as a completely self-taught artist. The main theme [...]

Laura Cadei is an italian civil lawyer whose passion for painting, developed from a very young age, has led her to pursue her artistic vocation in her free time, as a completely self-taught artist.

The main theme of her artistic production is Time. Her art translates into the need to paint historical and legendary places, monuments, and cities, all imagined in their ancient splendor before time transformed them into mere ruins. In these solitary places, time is suspended in an eternal present, the very moment in which the protagonists of the paintings, sometimes anachronistically, admire the space in which they are immersed. In the same instant are placed the paintings with naturalistic themes, where the seasons crystallize, simultaneously and in unison, in eternity. With her art, the artist wants to honor the great civilizations of the past and the heritage they have handed down, of which we are all universal heirs, where their traditions, lifestyles, languages, and signs are still alive and present among the foundations of our own existence. Time is therefore not experienced as a tyrant but as an absolute positive value, a dimension that allows dialogue between the most remote past and our present so that the teachings of History serve as a valuable guide to orient our future.

However, the places represented by her art are not only locations but also stages of a personal journey, indicated by the dual titles of some works: each painting represents for her a memory of her life, a piece of her history, a symbol of her path, and it is for this reason that, observing these silent architectures, some can feel a sort of nostalgia. It is a dreamlike, unreal, deeply personal journey that unfolds through the labyrinth of the history of her life and the History of our world, like in a gigantic Memory Palace.

The technique used is varied and multifaceted, ranging from acrylic, gouache, ink, to digital, especially in relation to the first historical paintings. Her art is inspired by the great Renaissance masters of the past and their paintings on the theme of “ideal cities,” as well as the great production of Piranesi and the metaphysics of De Chirico.

Each painting is carefully studied architecturally beforehand to faithfully reflect (with some artistic license) the actual style of the era in terms of historical reconstruction, sometimes even with the direct help of historians and archaeologists.

Laura Cadei, both as an artist and as a lawyer, has also collaborated and currently collaborates with public institutions and private projects, even internationally, to enhance and protect cultural heritage.

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