Kristopher Lionel Profile Picture

Kristopher Lionel

Connecticut, United States
Artist (Painting, Sculpture)
Born 1971
"I remember that day how the ocean's blue shed a shade or two at the sun's behest and then later how that fickle sea took back a shade or three as the sun tired and fell to rest." -Kristopher Lionel

Kristopher is a contemporary American artist whose work, which includes paintings, wall art, and sculpture, has been widely exhibited in solo and group exhibitions throughout New England and are included in both private and public collections. In April 2022, Kristopher was invited to join the Silvermine Guild of Artists in New Canaan CT. His work has received numerous awards including: 2022 - Honorable Mention in Light Space Time Gallery's 13th Abstracts Art Exhibition (United States). 2022 - Finalist in Art Show International Gallery's 4th PORTRAIT Art Competition (international). 2021 - 1st Place, Overall. Light Space Time Gallery's 5th Annual Abstracts Art Exhibition (United States). 2021 - 1st Place, Paint & Other Media. Light Space Time Gallery's 5th Annual Abstracts Art Exhibition (United States). 2021 - Honorable Mention, Light Space Time Gallery's 12th Abstracts Art Exhibition (United States).

Kristopher attended the art program at Hartwick College in Oneonta, NY, where he received his BFA with a concentration in sculpture (graduating cum laude and being awarded Departmental Distinction in Art). He then enrolled in the postgraduate sculpture program at Washington University in St. Louis, MO, where he received his MFA. In school, Kristopher developed his interest and skills in wood and metalworking. After graduating, he moved to Atlanta, GA, where he worked as a metal fabricator. Applying this experience, Kristopher moved to his home state of Connecticut to launch a business designing and making artistic furniture. He ran his business until 2009 when he decided to close his furniture shop to focus singularly on his life's purpose—to make art.

Kristopher's artistic focus shifts between several series that include, interactive sculpture, wall sculpture, abstract painting, and allegorical painting, all conceptually connected by themes directly and indirectly related to or inspired by Nature. Through an ongoing series of allegorical paintings, using symbolism and satire, Kristopher explores themes of environmental degradation brought on by human activity. He examines the consequences of our relationship to the natural world where we have placed ourselves above and outside of Nature as apposed to intrinsically connected to it.

In his abstract painting and wall sculpture, he uses color, shape, line, material, and composition, expressively to create evocative, visually immersive works.

Currently, Kristopher is focused on the development of a sculpture series titled, 'Time Will Tell', which will ultimately include twenty-four, interactive, sound-generating, mechanical sculptures. Individually, the sculptures will vary in scale and material but they will all generate the sound of rain. The sculptures in the series 'Time Will Tell' raise questions about technology, utility, purpose, and our relationship to Nature.


Discover contemporary artworks by Kristopher Lionel, browse recent artworks and buy online. Categories: contemporary american artists. Artistic domains: Painting, Sculpture. Account type: Artist , member since 2021 (Country of origin United States). Buy Kristopher Lionel's latest works on ArtMajeur: Discover great art by contemporary artist Kristopher Lionel. Browse artworks, buy original art or high end prints.

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4 artworks by Kristopher Lionel (Selection)

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The Happy War • 4 artworks

'The Happy War' is about humanity's self-driven, self-reinforced separation from Nature. Each painting [...]
'The Happy War' is about humanity's self-driven, self-reinforced separation from Nature. Each painting is a "page" in a surrealistic allegory. The works in this ongoing series satirize the concept that human beings, above all other living things, are most significant in the universe; they depict the consequences of this belief. Through symbolism, 'The Happy War' portrays a nightmarish, barren, world in which this mindset holds sway. Like the piece, 'The Garden of Earthly Delights', painted by the early Dutch master Hieronymus Bosch between 1490 and 1510, 'The Happy War' sets forth to communicate a moral. While there's little agreement as to the exact meaning of this Bosch painting, it has often been interpreted to mean that "sins of the flesh" will result in humanity's fall from grace, our damnation. 'The Happy War' is about humanity's transgressions ("sins") against Nature and the resulting hellscape we will condemn ourselves and future generations to live in following the collapse of ecosystems driven by an increasingly unstable climate as a consequence of global warming. In answer to the onslaught of disinformation we've seen in recent years, 'The Happy War' illustrates humanities fall from reason. Aspects of Christianity and technology, and right wing ideologies, responsible for reinforcing and entrenching the belief that humanity is separate and above all other living things, are wickedly derided in 'The Happy War'. Through a mixture of obscure symbols, like monkey-angels and pig-demons, and others more familiar, like crosses and canaries, which I've selected from popular culture, all representing vices, follies, faults, abuses, and atrocities, this fitful, episodic narrative traverses a landscape of absurdism.

Representing the idea of humanity's self-importance, the senselessly destructive culmination of our ingenious technologies, is a symbol of futility embodied by the human figure seen fitted with a mechanical, wheeled prosthetic. Hugh Hubris is the name I've given this legless figure mounted to a machine that it cranks to turn endless circles around a fixed, immovable block ('so to better survey the breadth of its domain'). This sad, spinning figure symbolizes functioning futility, it represents humanity's self-limiting conceit and the destructive consequences. It was once generally believed that the Sun orbited around the Earth only to eventually be bravely disproved by science. Hugh Hubris, who is so arrogant that he made certain he could only revolve around himself, stands as a reminder of human egoism. 'The Happy War' is my rebuttal to a worldview that seeks to subjugate Nature to human will, to consume it without consideration of the consequences. The story on each "page" of 'The Happy War' unfolds above a scorched, arid landscape devoid of life, a consequence of our attitude toward and treatment of Nature.

Gabriel and his fellow monkey-angles fly through themes of morality, religion, politics, technological ascent, and environmental collapse, as they wage a war against forces that would see their destruction. Theirs is a fight for survival, for life, for happiness. Their fight is our fight, let's hope they win.
Painting titled "Three Little Birds…" by Kristopher Lionel, Original Artwork, Oil
Three Little Birds Hang By My Doorstep (The Happy War) - Painting, 66x48 in ©2021 by Kristopher Lionel - Surrealism, surrealism-627, Dark Fantasy, surreal, surrealism, surrealist oil painting, surrealistic landscape, ant-fascist, climate change, environmental, landscape painting, allegorical paintings, allegory, political artwork, environmentalism, global warming, figure painting, science fiction, oil on canvas, dystopian artworks, apocalyptic visions, monkey, religious art

Kristopher Lionel

"Three Little Birds Hang By My Doorstep (The Happy War)"

Oil on Canvas | 66x48 in

Not For Sale Prints from $30.65
Painting titled "Prologue (The Happy…" by Kristopher Lionel, Original Artwork, Oil Mounted on Other rigid panel
Prologue (The Happy War) - Painting, 24x18 in ©2021 by Kristopher Lionel - Surrealism, surrealism-627, Fantasy, surreal, surrealism, surrealist oil painting, surrealistic landscape, ant-fascist, climate change, environmental, landscape painting, allegorical paintings, allegory, political artwork, environmentalism, global warming, figurative painting, fantasy, oil on paper, dystopian artworks, apocalyptic visions, monkeys, religious art

Kristopher Lionel

"Prologue (The Happy War)"

Oil on Paper | 24x18 in

Not For Sale Prints from $30.65
Painting titled "Hostis Humani Gener…" by Kristopher Lionel, Original Artwork, Oil Mounted on Other rigid panel
Hostis Humani Generis (The Happy War) - Painting, 16.3x23.5 in ©2020 by Kristopher Lionel - Surrealism, surrealism-627, Landscape, surreal, surrealism, surrealist oil painting, surrealistic landscape, anti-fascist, climate change, environmental, landscape painting, allegorical paintings, allegory, political artwork, environmentalism, global warming, figurative painting, fantasy, oil on paper, dystopian artworks, apocalyptic visions, religious art, figure painting

Kristopher Lionel

"Hostis Humani Generis (The Happy War)"

Oil on Paper | 16.3x23.5 in

Not For Sale Prints from $30.65
Painting titled "Fucking Nazi (The H…" by Kristopher Lionel, Original Artwork, Oil
Fucking Nazi (The Happy War) - Painting, 48x37 in ©2019 by Kristopher Lionel - Surrealism, surrealism-627, Dark Fantasy, surreal, surrealism, surrealist oil painting, surrealistic landscape, anti-fascist, climate change, environmental, landscape painting, allegorical paintings, allegory, political artwork, environmentalism, global warming, figure painting, fantasy, oil on canvas, dystopian artworks, apocalyptic visions, monkeys, religious art

Kristopher Lionel

"Fucking Nazi (The Happy War)"

Oil on Canvas | 48x37 in

Not For Sale Prints from $30.65
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