구매 옵션을 사용하여 Mahfuzur Rahman 의 ’ Good Evening.jpg ’ 작품 임대
Mahfuzur Rahman 의 회화 은 구매 옵션으로 임대 가능합니다.
월별 지불액을 선택하세요:
임대정보요청 "Good Evening.jpg"
저희에게 연락하세요., 금융 전문가가 24시간 이내에 연락을 드릴 것입니다.:
자주 묻는 질문
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
작가에 관하여
Hi, I am Mahfuzur Rahman based in Dhaka, Bangladesh
I think of my installations as unfinished inventories of fragments: objects, drawings, paintings, photographs, and other inventions. They are improvisational sites in which the constructed and the readymade are used to question our making of the world through language and knowledge. My arrangements are schematic, inviting the viewer to move into a space of speculation. I rely on our desires for beauty, poetics and seduction.
Painting is a reality, among realities, which has been felt and formed.
Despite being a full-time corporate this is the pleasure I receive from creating art that inspires me as an artist. I produce art to express an image of impressionism form but with my own artistic style. In each work of art, my intent is to depict compositions with lifelike details and qualities.
Over the previous few years, my artwork has changed immensely while still showing a hint this is uniquely my very own. I come to the canvas free of preconceptions and open to possibilities. There is a form of flow that transpires in which my inner phrenic conceptions and feelings pour out through my brushes. While I am into a new canvas, it feels as if I am on a constant quest for discovery and knowledge and clarity and insight into perception – thought, dreams, emotion, habits, mediocrity, and brilliance. For a long time now, I have found myself committed to illuminated landscapes. There is an eternal romance between light and colour that bathes the landscapes, where the magic of the rays of light that affect the surfaces and explode in colours and textures that give life to the space. I began my artistic journey to explores the beautiful aspects of nature and focus on what lies between them. I consider my work to be a dialogue, a spiritual expression in which the physical and psychological properties affect the viewer.
There were a lot of emotional events in my life that led me to hold onto my passion more and more every day. The clarity and the journey of a particular painting make my existence worthwhile. When I paint, I feel weaves of emotions hitting my soul constantly. Complete work of art gives me a height of pleasure because not only it is a painting but also conveys significant philosophy. The hues and textures of my palette are an integral part of my piece of art, this is where I search for deeper understanding in its purest form, a passionate effort to discover the essence of life. I have always concentrated on the subject as the focal point with a limited background.
The size of the canvas has a great impact on the artist and the spectators as well. Because it is necessary to accommodate the viewers to enter the picture and move around in it; to be surrounded by colour so that you can taste, feel and smell it; to hear your own messages and relive your own feelings.
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국적:
방글라데시
- 생년월일 : 1985
- 예술적 영역: 아티스트 가치가 인증된 아티스트의 작품,
- 여러 떼: 인증 아티스트 현대 방글라데시 예술가
마흐푸주르 라흐만: 캔버스 표면의 감정
